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Language has become the universal evil. And we can certainly see why. What characterizes any word is its difference from the thing – the fact that, t… - Michel Henry
" "Language has become the universal evil. And we can certainly see why. What characterizes any word is its difference from the thing – the fact that, taken in itself, in its own reality, language contains nothing of the reality of the thing, none of its properties. This difference from the thing explains its indifference to the thing. Since a word has nothing in itself that is identical or similar to what is in the thing, it could as well be united with any other thing whatever. One could use the same name for two different things or else attribute several names to the same thing. But because, in and of itself, the word contains nothing that is real and ignores everything about that reality, it could just as well bring reality back to itself, identify with it, define it, in such a way that everything the word says becomes reality, and pretends to stand for it. Emerging from its own powerlessness, the power of language suddenly becomes frightening, shaking up reality, twisting it up in its frenzy.
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About Michel Henry
Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.
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Additional quotes by Michel Henry
Where is a self-revelation of this sort achieved? In Life, as its essence, since Life is nothing other than that which reveals itself – not something that might have an added property of self-revealing, but the very fact of self-revealing, self-revelation as such. Everywhere that something like a self-revelation is produced there is Life. Everywhere there is Life, this self-revelation is produced. If, then, the Revelation of God is a self-revelation that owes nothing to the truth of the world, and if we ask where such a self-revelation is achieved, the answer is unequivocal: in Life and in Life alone. Therefore we are in the presence of the first fundamental equation of Christianity: God is Life – he is the essence of Life, or if one prefers, the essence of Life is God. Saying this we already know what God is, but we do not know it through the effect of some knowledge or learning – we do not know it through thought, against the background of the truth of the world. Rather we know it, and we can know it, only in and through Life itself. We can know the essence of God only in God. But this observation is premature.
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Kandinsky’s singularity is due, moreover, to a circumstance that is vital for out project. The 'Pioneer' did not just produce a body of work whose sensuous magnificence and rich inventiveness eclipse even the most remarkable of his contemporaries. He also provided an explicit theory of abstract painting, exposing its principles with the utmost precision and clarity. So, the painted work is accompanied with a group of texts that at the same time clarify his work and make Kandinsky on of the main theorists of art. Facing the hieroglyphs of the last canvases of the Parisian period (which are said to be the most difficult), they provide the Rosetta stone on which the meaning of these mysterious figures is inscribed.
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