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" "Never shall we apprehend the nature of true divinity nor the true divineness of Jesus of Nazareth, the Carpenter's Son, till we learn to moralize our theology, training ourselves to lay less stress on "Almighty" — an epithet characteristic of the silver age of Hebrew literature and of our Anglican Prayer Book, but never once used as an epithet of God by Him who knew Him as He is. By way of compensation, we must lay far more stress on "Wise" and "Good."
Edwin Abbott Abbott (20 December 1838 – 12 October 1926) was an English schoolmaster and theologian, most famous as the author of the social satire Flatland (1884), widely noted for its use of mathematical dimensions in religious and political allegories.
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STRANGER. In order to see into Space you ought to have an eye, not on your Perimeter, but on your side, that is, on what you would probably call your inside; but we in Spaceland should call it your side. I. An eye in my inside! An eye in my stomach! Your Lordship jests. STRANGER. I am in no jesting humour. I tell you that I come from Space, or, since you will not understand what Space means, from the Land of Three Dimensions whence I but lately looked down upon your Plane which you call Space forsooth. From that position of advantage I discerned all that you speak of as SOLID (by which you mean "enclosed on four sides"), your houses, your churches, your very chests and safes, yes even your insides and stomachs, all lying open and exposed to my view. I. Such assertions are easily made, my Lord. STRANGER. But not easily proved, you mean. But I mean to prove mine.
I devoted several months in privacy to the composition of a treatise on the mysteries of Three Dimensions. Only, with the view of evading the Law, if possible, I spoke not of a physical Dimension, but of a Thoughtland whence, in theory, a Figure could look down upon Flatland and see simultaneously the insides of all things, and where it was possible that there might be supposed to exist a Figure environed, as it were, with six Squares, and containing eight terminal Points. But in writing this book I found myself sadly hampered by the impossibility of drawing such diagrams as were necessary for my purpose... my life was under a cloud. All pleasures palled upon me; all sights tantalized and tempted me to outspoken treason, because I could not but compare what I saw in Two Dimensions with what it really was if seen in Three, and could hardly refrain from making my comparisons aloud.' I neglected my clients and my own business to give myself to the contemplation of the mysteries which I had once beheld, yet which I could impart to no one, and found daily more difficult to reproduce even before my own mental vision.
The Art of Sight Recognition, being no longer needed, was no longer practised; and the studies of Geometry, Statics, Kinetics, and other kindred subjects, came soon to be considered superfluous, and fell into disrespect and neglect even at our University. The inferior Art of Feeling speedily experienced the same fate at our Elementary Schools.... Year by year the Soldiers and Artisans began more vehemently to assert — and with increasing truth — that there was no great difference between them and the very highest class of Polygons, now that they were raised to an equality with the latter, and enabled to grapple with all the difficulties and solve all the problems of life, whether Statical or Kinetical, by the simple process of Colour Recognition. Not content with the natural neglect into which Sight Recognition was falling, they began boldly to demand the legal prohibition of all "monopolizing and aristocratic Arts" and the consequent abolition of all endowments for the studies of Sight Recognition, Mathematics, and Feeling. Soon, they began to insist that inasmuch as Colour, which was a second Nature, had destroyed the need of aristocratic distinctions, the Law should follow in the same path, and that henceforth all individuals and all classes should be recognized as absolutely equal and entitled to equal rights.