It was silent in the forest. There were no birds, but the smell of the trees and flowers was magnificent. We couldn't hear anything. There was nothin… - Ida Fink

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It was silent in the forest. There were no birds, but the smell of the trees and flowers was magnificent. We couldn't hear anything. There was nothing to hear. The silence was horrifying because we knew that there was shooting going on and people screaming and crying, that it was a slaughterhouse out there. But here there were bluebells, hazelwood, daisies, and other flowers, very pretty, very colorful. That was what was so horrifying-just as horrifying as waiting for the thundering of the train, as horrifying as wondering whom they had taken. ("Jean-Christophe")

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About Ida Fink

Ida Fink (Hebrew: אידה פינק‎, 1 November 1921 – 27 September 2011) was a Polish-born Holocaust survivor and author who moved to Israel in 1957. She wrote stories in Polish that are set during the Holocaust.

Also Known As

Native Name: אידה פינק
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June turned into July; the linden trees perfumed the air; the frogs croaked in the river; the dogs bayed at the moon; the nights were bright and sleepless. The white posters demanded tribute. The Jews gathered gold and silver, coffee and tea, and money, money. The Landrat insisted on silver tableware and valuable china. From nearby towns came news of gold and silver, of coffee and tea and money, money. Gold and silver, coffee and tea, were supposed to buy peace and quiet in the town, peace that was not peace, quiet that was not quiet. "People are naive," Szymon shouted, "whoever believes them is naive. This is only the prelude," he shouted, "only the beginning." He did not say what it was the beginning of. He didn't have to.

The girl who had been crying was now sobbing louder; all of us were aware that every passing minute brought the train's thunder nearer, that any moment now we would hear death riding down the tracks. One girl cried "Mama!" and then other voices cried "Mama!" because there was an echo in the woods. ("Jean-Christophe")

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Julia emerged from her reverie and repeated: "By then it was too late." She asked whether I remembered Emanuel, who had escaped from Lodz and wound up staying in the ghetto. Because when she said "it was too late," she was thinking of him. Then she said one more sentence (which she didn't finish) about sudden love in the dying ghetto, powerful and tender, torn from life, the love that Eugenia...I didn't ask any more questions. ("Eugenia")

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