Jacobsen once jestingly compared himself to the sloth <i>(det beromte Dovendyr Ai-ar)</i> which needed two years to climb to the top o f a tree. It w… - Jens Peter Jacobsen

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Jacobsen once jestingly compared himself to the sloth (det beromte Dovendyr Ai-ar) which needed two years to climb
to the top o f a tree. It was necessary for him to withdraw absolutely from the world and to retire, as it were, within the character he wished to portray before he could set pen to paper.

Hanna Astrup Larsen (Introduction to Marie Grubbe, New York 1917)

English
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About Jens Peter Jacobsen

Jens Peter Jacobsen (7 April 1847 – 30 April 1885) was a Danish novelist, poet, and scientist, in Denmark often just written as "J. P. Jacobsen". He began the naturalist movement in Danish literature and was a part of the Modern Breakthrough.

Also Known As

Alternative Names: J.Jacobsen
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For the better part of two years Niels Lyhne wandered abroad.
He was so lonely. He had no family, no friend who was dear to his heart. But there was a greater loneliness about him than that; for a person may well feel anguished and forsaken if on the whole enormous earth there is not one small place he can bless and wish well, someplace he can turn his heart toward when his heart insists on swelling, a place he can long for when longing insists on
spreading its wings; but if he has the clear, steady star of a life’s goal shining overhead, then there is no night so lonely that he is entirely alone. But Niels Lyhne had no star. He didn’t know what to do with himself and his abilities. He did have talent, but he just couldn’t use it; he went around feeling like a painter without hands. How he envied the others, great and small, who, no matter where they reached in life, always found something to hold on to! Because he could not find anything to hold on to. It seemed to him that all he could do was sing the old romantic songs over again, and everything that he had accomplished had been nothing more than this. It was as if his talent were something remote in him, a quiet Pompeii, or like a harp he could take out of a corner. It was not omnipresent, it did not run down the street with him, it did not reside in his eyes, it did not tingle in his fingertips, not at all; his talent did not have a hold on him. At times it seemed to him that he had been born half a century too late, at other times that he had arrived much too early. The talent within him was rooted in something from the past which was the only thing that could give it life. It could not draw nourishment from his opinions, his convictions, his sympathies, it could not assimilate them and give them form; they floated away from each other, these two parts, like water and oil, they could be shaken together but could not be mixed, never become one.

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He was weary of himself, of cold ideas and brain dreams. Life a poem? Not when you went about forever poetizing about your own life instead of living it. How innocuous it all was, and empty, empty, empty! This chasing after yourself, craftily observing your own tracks — in a circle, of course.

This sham diving into the stream of life while all the time you sat angling after yourself, fishing yourself up in one curious disguise or another! If he could only be overwhelmed by something — life, love, passion — so that he could no longer shape it into poems, but had to let it shape him!

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