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" "I am now faced with a new task, and am not quite sure how to go about it. Earlier it was all so simple: my job was to preserve M.'s verse and tell the story of what happened to us. The events concerned were outside our control. Like any other wife of a prisoner, like any other stopiatnitsa or exiled person, I thought only about the times I lived in, racking my brains over the question: How could this happen, how had we come to such a pass? Thinking about this, I forgot myself and what had happened to me personally, and even that I was writing about my own life, not somebody else's. The fact is that there was nothing exceptional about my case. There were untold numbers of women like myself roaming the country-mute, cowed creatures, some with children, some without, timidly trying to do their work as best they could and constantly "improving their qualifications," which meant joining study groups to sweat year in, year out, over the "Fourth Chapter," (Footnote: "The chapter on Dialectical Materialism written by Stalin in The History of the C.P.S.U.: Short Course (1938).") including the story of how the ape turned into Homo sapiens by learning to distinguish left from right. (This development was aided to some extent by food rich in vitamins and protein-more than we could say of ours.) But at least we had our work, and we clung to it frantically, knowing that without it all was lost...
Nadezhda Yakovlevna Mandelstam (Russian: Надежда Яковлевна Мандельштам, IPA: [nɐˈdʲeʐdə ˈjakəvlʲɪvnə mənʲdʲɪlʲˈʂtam]; née Khazina [Хазина]; 30 October [O.S. 18 October] 1899 – 29 December 1980) was a Russian Jewish writer and educator, and the wife of the poet Osip Mandelstam who died in 1938 in a transit camp to the gulag of Siberia.
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whatever his quality, the reader is the final arbiter, and it is for him that I kept M.'s poetry and it is to him that I have handed it over. And now, in this long period we are presently living through, a curious process is taking place: people casually leaf through a volume of poetry and, scarcely aware of what is happening, gradually soak it in, until it stirs their numbed and dormant spirits, waking them up and itself coming to life again as it revivifies those it touches. It is a process of diffusion, of interpenetration, by which at least some people are brought back to their senses and given the strength to shake off their accursed inertia. I do not know how it is elsewhere, but here, in this country, poetry is a healing, life-giving thing, and people have not lost the gift of being able to drink of its inner strength. People can be killed for poetry here-a sign of unparalleled respect-because they are still capable of living by it.