My origins as a writer started with my father loving books and, for me, reading about the history of Puerto Rico from my father’s books and learning … - Jaquira Díaz

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My origins as a writer started with my father loving books and, for me, reading about the history of Puerto Rico from my father’s books and learning about this very early. This history deeply affected me and who I became as a writer. But also feeling like this history has been for the most part erased. It’s not something that we’re taught in school and it’s not something that Puerto Ricans or that Latinos learn, unless you go out and search for it. There are not a lot of resources. And, often when you find a history book, it’s not written by women, especially not women who grew up in poverty, so it’s not accessible to everyone.

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About Jaquira Díaz

Jaquira Díaz is a Puerto Rican fiction writer, essayist, journalist, cultural critic.

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Additional quotes by Jaquira Díaz

I hadn't been there in a very long time, because everyone who's ever lived there who has been lucky enough to get out knows that you don't go back. And I did go back, and I wanted to get a look at our house. I went back to my old elementary school, and I walked around and then, while I was there, a boy — this is very emotional, but a boy on a bike came up to my car and told me to leave. Basically approached me and said I didn't belong there. And I told him I used to live there, I grew up there and that I know my way around. And he was like "No, you have to leave. You don't belong here." But the truth is that I don't. As much as I love El Caserío and as much as it feels like home, it's not my place anymore.

I was in a state of rage, also. I was so angry and I couldn't really explain why. I didn't have the language for it. And so I turned to what I knew, I remembered the kind of woman my mother had been — in a lot of ways, I was acting out, I was performing the same thing.

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When I was a kid, I never felt like I fit anywhere. I felt like an outsider in almost every situation, like an alien in my own family. There were times when being queer and closeted, when being Black and Puerto Rican, meant I felt hyper-visible and invisible all at once. You can see some of this in the book. I spent most of my adolescence hiding who I was, pretending to be someone else. There were times when I thought that what I wanted most was to be ordinary. An ordinary girl. And then something shifted. As I fell deeper into depression, as I got angrier and angrier, I thought an ordinary girl was the worst thing you could possibly be. It was much more about negotiating girlhood, a certain kind of girlhood, and what that meant. By the end of the book, there’s an acceptance, as I embrace the kind of girl I was, and realize that these ordinary girls were capable of amazing feats. They saved me—their friendship, their love. They anchored me.

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