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" "Nobody ever asks me what it felt like. They never ask what it was like to spend three of my teenage years in secure psychiatric units for severe anorexia nervosa; how it felt to be so undernourished I could hardly walk; how it feels now to be able to picture the doctors' and nurses' faces more clearly than I can those of my late grandparents; how it feels to have spent my formative years with young women who are now, in so many cases, dead; how this experience changed my personality for ever. No, no one asks that. Instead they ask why: "Why were you anorexic? Why?"
Hadley Clare Freeman (born 15 May 1978) is an American British journalist based in London. Since 2022, Freeman has written columns and features for The Sunday Times and previously, from 2000, for The Guardian until her 2022 resignation from the newspaper. She has also contributed to The Jewish Chronicle.
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On Monday I went to the Jewish Vigil for Israel opposite Downing Street. It was nice, but it was also strange, because everyone I could see there was clearly Jewish: the men wore kippahs and tallits, and everybody knew the words to Hatikvah, Israel's national anthem. Across town a pro-Palestinian rally was happening. I looked at the photos in the papers in the next day and was struck by what a mixed crowd it was. Young Muslims, older white people, everyone marching together in defence of — what? Pogroms? Meanwhile, the Jews just had themselves. Now we know.
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There's clearly some bias on my part. I'm drawn to Jewish comedy because it's part of my cultural shared language, which is a fancy way of saying that it feels familiar: the neuroticism, the self-deprecation, the self-aware hyper-verbosity. These are all family traits, because they're Jewish traits.
But why *are* so many Jews comedians, given how relatively few of us there are? I’ve collected theories over the years.
The most common one, inevitably, is that comedy is the natural response to all those centuries of persecution, which I guess is possible, although I don't remember hearing about too many comedy clubs in Auschwitz.
Another popular one is that because Jews study the Talmud for meaning, we are used to looking at things from a different perspective, which is the most important quality to a comedian.
I personally suspect it has something to do with our natural lack of athleticism: if you can't be fast in the playground, you'd better be funny. Hey, no one ever saw Mel Brooks jogging, right?
And what has brought more joy to people’s lives, Blazing Saddles or running? We naturally brilliant Jews know the answer to that one.