This symmetrical composition- the same motif appears at the beginning and at the end- may seem quite 'novelistic' to you, and I am willing to agree, … - Milan Kundera

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This symmetrical composition- the same motif appears at the beginning and at the end- may seem quite 'novelistic' to you, and I am willing to agree, but only on condition that you refrain from reading such notions as 'fictive,' 'fabricated,' and 'untrue to life' into the word 'novelistic.' Because human lives are composed in precisely such a fashion. They are composed like music. Guided by his sense of beauty, an individual transforms a fortuitous occurrence (Beethoven's music, death under a train), into a motif, which then assumes a permanent place in the composition of the individual's life... Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress... The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful.

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About Milan Kundera

Milan Kundera (1 April 1929 – 11 July 2023) was a Franco-Czech novelist born in Brno, Czechoslovakia (now the Czech Republic).

Biography information from Wikiquote

Also Known As

Alternative Names: Kundera
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Shorter versions of this quote

"This symmetrical composition — the same motif at the beginning and at the end — may seem quite "novelistic" to you, and I am willing to agree, but only on condition that you refrain from reading such notions as "fictive," "fabricated," and "untrue to life" into the word "novelistic." Because human lives are composed in precisely such a fashion."

Additional quotes by Milan Kundera

During the last two hundred years the blackbird has abandoned the woods to become a city bird. From the planet's viewpoint, the blackbird's invasion of the human world is certainly more important than the Spanish invasion of South America or the return to Palestine of the Jews. A shift in the relationships among the various kinds of creation (fish, birds, humans, plants) is a shift of a higher order than changes in relations among various groups of the same kind. Whether Celts or Slavs inhabit Bohemia, whether Romanians or Russians conquer Bessarabia, is more or less the same to the earth. But when the blackbird betrayed nature to follow humans into the artificial unnatural world, something changed in the organic structure of the planet. And yet no one dares to interpret the last two centuries as the history of the invasion of man's cities by the blackbird. All of us are prisoners of a rigid conception of what is important and what is not, and so we fasten our anxious gaze on the important, while from a hiding place behind our backs the unimportant wages ts guerrilla war, which will end in surreptitiously changing the world and pouncing on us by surprise.

The proliferation of mass graphomania among politicians, cab drivers, women on the delivery table, mistresses, murderers, criminals, prostitutes, police chiefs, doctors, and patients proves to me that every individual without exception bears a potential writer within himself and that all mankind has every right to rush out into the streets with a cry of "We are all writers!" The reason is that everyone has trouble accepting the fact that he will disappear unheard of and unnoticed in an indifferent universe, and everyone wants to make himself into a universe of words before it's too late. Once the writer in every individual comes to life (and that time is not far off), we are in for an age of universal deafness and lack of understanding.

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