Quis custodiet ipsos custodes? - Who watches the watchmen? - Alan Moore

"Remember? Ohh, I wouldn't do that! Remembering's dangerous. I find the past such a worrying, anxious place.

"The past tense", I supposed you'd call it. Ha ha ha."

What had originally been a straightforward battle of ideas between anarchy and fascism had been turned into a kind of ham-fisted parable of 9-11 and the war against terror, in which the words anarchy and fascism appear nowhere. … It struck me that for Hollywood to make V for Vendetta, it was a way for thwarted and impotent American liberals to feel that they were making some kind of statement about how pissed off they were with the current situation without really risking anything. It’s all set in England, which I think that probably, in most American eyes, is kind of a fairytale kingdom where we still perhaps still have giants. It doesn’t really exist; it might as well be in the Land of Oz for most Americans. So you can get set your political parable in this fantasy environment called England, and then you can vent your spleen against George Bush and the neo-conservatives. Those were my feelings, and I must admit those are completely based upon not having seen the film even once, but having read a certain amount of the screenplay. That was enough.

I found it very difficult to feel easy around the guy, even once I'd got used to the shock of his presence. It's a strange feeling...the first time you meet him your brain wants to scream, blow a fuse and shut itself down immediately, refusing to accept that he exists. This lasts for a couple of minutes, at which time he's still there and hasn't gone away, and in the end you just accept him because he's standing there and talking to you and after a while it almost seems normal. Almost.