We understand instinctively that being a prodigy wasn’t [Wayne Gretzky’s] platform for a lifetime’s achievement; it marked the possibility of a highl… - Adam Gopnik

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We understand instinctively that being a prodigy wasn’t [Wayne Gretzky’s] platform for a lifetime’s achievement; it marked the possibility of a highly specific, highly term-limited kind of performance.

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About Adam Gopnik

Adam Gopnik (born August 24, 1956) is an American writer and essayist. He is best known as a staff writer for The New Yorker—to which he has contributed non-fiction, fiction, memoir and criticism since 1986.

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A document, recently released—“LVMPD Criminal Investigative Report of the 1 October Mass Casualty Shooting,” to give it its official name—offering the local-police-department summary of the Las Vegas gun massacre of last year...
The report takes on the supposedly baffling question of Paddock’s motive, and what comes through is that—unless some astonishing new connection or fact appears in the future—his intention appears to have been purely nihilistic. Paddock wanted to kill a lot of people because he wanted to kill a lot of people. Feelings of frustration and insufficient power, the frequent ignition of such killings, may have moved him, too, and yet they seem to have been more unrooted than such feelings usually are among mass killers. He came from a troubled family, but had managed to acquire money, a girlfriend, an occupation. Basically, it seems to have been an item on his bucket list. He knew that the one thing he could do before he died was murder a lot of people. Why did he want to kill a lot of people? Because he wanted to kill a lot of people. So, he Googled any number of cheerful outdoor concerts, in California and Chicago and also in Las Vegas, and made reservations at hotels looking down on them, and kept buying weapons of mass murder, and finally, there he was, a little god of death.

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The same parents can raise a dreamy, reflective girl and a driven, competitive one—the job is not to nurse her nature but to help elicit the essential opposite: to help the dreamy one to be a little more driven, the competitive one to be a little more reflective. The one artisanal, teachable thing is outer conduct.

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