("A friend once described Woman Warrior as convoluted.") MHK: Oh, I'm very proud of being convoluted. I try to be convoluted. Life is convoluted. I k… - Maxine Hong Kingston

They think that Americans are either white or Black. I can't wear that civil-rights button with the Black hand and the white hand shaking each other. I have a nightmare-after duking it out, someday Blacks and whites will shake hands over my head. I'm the little yellow man beneath the bridge of their hands and overlooked. (p307)

When we Chinese girls listened to the adults talk-story, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen. Even if she had to rage across all China, a swordswoman got even with anybody who hurt her family. Perhaps women were once so dangerous that they had to have their feet bound. (p19)

(What do you think about revenge?) MHK: I come from a culture where revenge is important. So many of the stories and operas I grew up on have that theme of revenge. I think has something to do with justice in our lifetime rather than justice in another reincarnation. But in American culture revenge is really questioned. Christianity says no revenge. The vengeance I will permit myself has to come in a new form. I wrote in The Woman Warrior that the Chinese idiom for "revenge" can also mean "reporting to five families." If you can find the words for an injustice and put it in some artistic shape, and let everyone know, then revenge has taken place. It has something to do with broadcasting the reputation of one that you want revenge against. Revenge cannot take the form of an eye for an eye, not like that. (1986)