Upon going through the text the reader will notice how completely contrary to the facts are the cliches which are bandied about in public discourse i… - Arun Shourie

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Upon going through the text the reader will notice how completely contrary to the facts are the cliches which are bandied about in public discourse in India, and which as a consequence so many have by now internalised.... (x)

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About Arun Shourie

Arun Shourie (born 2 November 1941) is a prominent journalist, author, and politician of India.

Also Known As

Native Name: ਅਰੁਣ ਸ਼ੌਰੀ

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Additional quotes by Arun Shourie

Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why.... the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed...Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.

Now, these are not stray phrases thrown in to light up a purple passage. They are stances, they are standpoints that indicate the direction in which that judgment will go, they are signposts which tell us where the reasoning being advanced in the text will eventually end. Such formulations have a significance beyond the particular judgment in which they figure. Succeeding benches can strike the same pose and gallop further in the same direction.

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When we study the discourses of the Buddha or what Gandhiji has to say on, say, fasting, the content is all about looking within, about self-purification. But even when they deal with purely religious subjects the fatwas are all about the form to which the believer must adhere. They resemble instructions a drill sergeant gives to cadets for a parade.

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