...I would recommend the photographer to regard the focusing-screen of his camera as a space to be divided into a pleasing pattern, rather than as a … - Arthur Hammond

A painter, by the skilful use of color, can make idyllic pictures in which a figure or a group of figures is not the dominant thing in the picture, but for a photographer this is more difficult.

Plates and films possess great latitude, it is true, but too short an exposure always has a tendency to cause a loss of atmosphere.

It will be found, as a general rule, that a point about one-third of the width of the picture-space from the top or bottom of the picture, and about one-third from one side, will be a strong position for such an accent. These points may be found by imagining that your picture-space is divided both vertically and horizontally into three equal strips by lines that will cross each other at four points. Each of these four intersection points will be a strong position, and an accent at any one of these points will be well placed in the picture-space. It will not matter at all what the shape of the picture may be, whether it be an upright or a horizontal rectangle, or a square, these four points, each of them one-third of the width of the picture-space from top or bottom and one side, will be strong points.