Though I do, of course agree with the principles you have mentioned, I am returning the paper unsigned, as I do not want to belong to a group. A grou… - Piet Mondrian

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Though I do, of course agree with the principles you have mentioned, I am returning the paper unsigned, as I do not want to belong to a group. A group of people with one aim is not as yet a single-minded group and as this does not exist, a consistent group remains impossible. And a larger group only makes sense for joint exhibitions and for spreading ideas. I will therefore not participate in the other group either, but I have promised my collaboration in this respect. If you definitely want to form a group, you can always invite myself and others who are proved to be suitable. Only on such a basis I will collaborate with the other group as well.

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About Piet Mondrian

Pieter Cornelis "Piet" Mondriaan (after 1912: Piet Mondrian). (March 7, 1872 – February 1, 1944) was a Dutch painter starting in Dutch impressionism but soon started to develop abstraction from his landscape paintings. He became an inspiring leader of the De Stijl art movement and group, together with Theo van Doesburg. Mondrian proclaimed 'Neo Plasticism' as a completely new, Abstract art style.

Also Known As

Native Name: Pieter Cornelis (Piet) Mondriaan
Alternative Names: Mondrian Mondriaan Piet Cornelis Mondrian Piet Cornelies Mondrian Piet Mondriaan Pieter Cornelis Mondrian Pieter Cornelis Mondriaan

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Additional quotes by Piet Mondrian

And now about architects in general – I have to say it, Does [= Theo van Doesburg ], when 'De Stijl' was founded I left it up to you, but I never did agree with you when you ranked the architects alongside us, alongside our 'N.B.' ( / Neo-Plasticism) I knew then that it would lead to conflict.. .I cannot write about architecture, because I'm not an architect. I mean, I cannot write about the way I write about painting. Later on, though, I will put forward a few ideas.

In his later works Doesburg tried to destroy static expression by diagonal position of his lines. But in this way the feeling of physic equilibrium which is necessary to enjoy a work of art is lost.

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