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" "Defiant, naive, and passionate, we are sprouting up all over the Bay Area-artists of color who write, perform, and collaborate with each other, borders be damned. We are muralistas, filmmakers, musicians, dancers, painters, printmakers, small press publishers, playwrights, poets, and more poets. . . . San Francisco seems to be more a city of poets and musicians than anything else. Rock 'n' roll, R&B, the funk mystique of Oakland, the abstract seduction of jazz, and the glorious rants and chants of loup garous, gypsies, sympathetic cowboys, and water buffalo shamans: Al Robles, Ishmael Reed, Norman Jayo, Ntozake Shange, Victor Hernandez Cruz, Janice Mirikitani, Thulani Davis, David Henderson, Alejandro Murguia, Ed Dom, Alta, Serafin and Lou Syquia, Kitty Tsui, and on and on.... They are my teachers and peers, kindred spirits, borders be damned. A movement is afoot to assert ourselves as artists and thinkers, to celebrate our individual histories, our rich and complicated ethnicities.
Jessica Tarahata Hagedorn (born 1949) is a Filipino playwright, writer, poet, and multimedia performance artist.
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Philippine literature—just like the Philippines itself—is complicated, and can’t be easily described or pinned down. Over 7000 islands make up the Philippines, and over a hundred languages and dialects are spoken!...(What common elements and themes do you see in Philippine writing? And what do you see in the pieces here?) JH: Yearning, and melancholy. Mordant humor, a certain kind of fatalism, love of the macabre and supernatural. A love of puns and a sense of irony. A reckoning with history and the colonial past. (2019)
It’s best if you go out in the world knowing more than one language, I don’t care what the language is. It’s good for your brain to dream in another language. It gives you a clue, another perspective, a way of understanding, some compassion for other people—even if it’s just because you know how to joke in another language. (1991)
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(Is it important for Filipinx/Filpinx American storytellers to focus on Philippine culture and history in their work?) No. You should feel free to write whatever you want to write. We don’t make art to represent. That has to happen organically. Filipinos are not a monolith. Humans aren’t a monolith. We all have different experiences and need to write across the different identities we hold. As artists, we should be free to write about a wide range of complicated characters and subjects. Don’t limit yourself to only what you know. But definitely do your homework! Being a writer is hard work. (2022)