At the moment there is a great tendency in painting to discover the 'new' harmony by constructive means whereby the rhythmic is built on an almost ge… - Wassily Kandinsky

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At the moment there is a great tendency in painting to discover the 'new' harmony by constructive means whereby the rhythmic is built on an almost geometric form.. .I am certain that our own modern harmony is not to be found in the 'geometric' way, but rather in the anti-geometric, anti-logical way. And this way is that of 'dissonance in art', in painting, therefore, just as much as in music. And 'today's' dissonance in painting and music is merely the consonance of 'tomorrow'.

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About Wassily Kandinsky

Wassily Wassilyevich Kandinsky (December 4 or 16, 1866 - December 13, 1944) — was a Russian painter and art theorist and one of the leading figures in Blaue Reiter. One of the most important 20th-century artists, he is credited with painting the first modern abstract art works.

Also Known As

Alternative Names: Wassily Wassiljewitsch Kandinsky Vasili Vasilevich Kandinsky Vasilii Vasilevich Kandinskii Vasily Vasil'yevich Kandinsky Vasilij Kandinski Vasilij Vasil'evic Kandinskij Vasily Kandinsky Vasilij Kandinskij Vasily. Kandinsky Vasilij Vasil'evič Kandinskij Wassili Kandinsky Wassily Wassilyevich Kandinsky Vasili Vasileevich Kandinsky Vasilĭi Vasilʹevich Kandinskĭi Vasilij Vasilijevitch Kandynski Wassily Kandinski Basile W. Kandinsky Wahsili Kang-ting-ssu-chi Vassily Kandinsky Kandinsky w. kandinsky Vasili Vasil'evich Kandinski

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Additional quotes by Wassily Kandinsky

..the long Russian word for creation: 'proisvedenie' - so different from its shorter counterparts in English, French and German - expresses for me the whole history and process of creation, lengthy, mysterious, infinitely complex and foreshadowed by divine predestination.

The geometric line is an invisible thing. It is the track made by the moving point; that is, its product. It is created by movement – specifically through the destruction of the intense self-contained repose of the point. Here, the leap out of the static to the dynamic occurs. […] The forces coming from without which transform the point into a line, can be very diverse. The variation in lines depends upon the number of these forces and upon their combinations.

All means are sacred when they are dictated by inner necessity. All means are reprehensible when they do not spring from the fountain of inner necessity... The artist must be blind to 'recognized' and 'unrecognized' form, deaf to the teachings and desires of his time. His open eyes must be directed to his inner life and his ears must be constantly attuned to the voice of inner necessity.

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