One of the refrains of the current moment is “I don’t know how to make you care about other people.” And one of the most straightforward solutions co… - Anne Helen Petersen

The desire for the cool job that you’re passionate about is a particularly modern and bourgeois phenomenon — and, as we’ll see, a means of elevating a certain type of labor to the point of desirability that workers will tolerate all forms of exploitation for the “honor” of performing it. The rhetoric of “Do you what you love, and you’ll never work another day in your life” is a burnout trap. By cloaking the labor in the language of “passion,” we’re prevented from thinking of what we do as what it is: a job, not the entirety of our lives.

Most of us would rather read a book than stare at our phones, but we’re so tired that mindless scrolling is all we have energy to do.

Many Hollywood stars have committed versions of the long suicide. Biographies of Clift posit that he drank because he couldn’t be his true self, because homosexuality was the shame he had to shelter within. But if you look at his own words, his testimonies about what acting did to him, you’ll see the culprit. His perpetual question to himself, as he once scribbled in his journal, was, “How to remain thin-skinned, vulnerable, and still alive?” For Clift, the task proved impossible. Clift once said, “The closer we come to the negative, to death, the more we blossom.” He took himself to that precipice, but he fell straight in. And so he remains frozen in the popular imagination, circa From Here to Eternity — those high cheekbones, that set jaw, the firm stare: a magnificent, proud, tragically broken thing to behold.