For Werner, doubts turn up regularly. Racial purity, political purity — Bastian speaks to a horror of any sort of corruption, and yet, Werner wonders… - Anthony Doerr
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For Werner, doubts turn up regularly. Racial purity, political purity — Bastian speaks to a horror of any sort of corruption, and yet, Werner wonders in the dead of night, isn’t life a kind of corruption? A child is born, and the world sets in upon it. Taking things from it, stuffing things into it. Each bite of food, each particle of light entering the eye — the body can never be pure. But this is what the commandant insists upon, why the Reich measures their noses, clocks their hair color. The entropy of a closed system never decreases.
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About
Anthony Doerr
Anthony Doerr is an American author of novels and short stories. He gained widespread recognition for his 2014 novel All the Light We Cannot See, which won the Pulitzer Prize for Fiction.
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Repository,” he finally says, “you know this word? A resting place. A text — a book — is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.” His eyes open very widely then, as though he peers into a great darkness. “But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.
She walks like a ballerina in dance slippers, her feet as articulate as hands, a little vessel of grace moving out into the fog.
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And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough?