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" "Every social state supposes... a certain number and a certain order of crimes, these being merely the necessary consequences of its organisation. This observation, so discouraging at first sight, becomes, on the contrary, consolatory, when examined more nearly, by showing the possibility of ameliorating the human race, by modifying their institutions, their habits, the amount of their information, and, generally, all which influences their mode of existence.
Lambert Adolphe Jacques Quetelet (or Quételet) (22 February 1796 – 17 February 1874) was a Belgian astronomer, mathematician, statistician and sociologist. He founded and directed the Brussels Observatory and was perpetual secretary of the Royal Academy of Brussels. Quetelet was influential in introducing statistical methods to the social sciences.
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It is a remarkable fact in the history of science, that the more extended human knowledge has become, the more limited human power, in that respect, has constantly appeared. This globe, of which man imagines the haughty possessor, becomes, in the eyes of astronomer, merely a grain of dust floating in immensity of space: an earthquake, a tempest, an inundation, may destroy in an instant an entire people, or ruin the labours of twenty ages. ...But if each step in the career of science thus gradually diminishes his importance, his pride has a compensation in the greater idea of his intellectual power, by which he has been enabled to perceive those laws which seem to be, by their nature, placed for ever beyond his grasp.
This reaction of man upon himself, is one of his noblest attributes; it offers, indeed, the finest field for the display of his activity. As a member of the social body, he is subjected every instant to the necessity of these causes, and pays them a regular tribute; but as a man, employing all the energy of his intellectual faculties, he in some measure masters these causes, and modifies their effects, thus constantly endeavouring to improve his condition.
It would be an error... to suppose that science makes the artist; yet it lends to him the most powerful assistance. In general, it is difficult to keep it within due limits; and I shall even freely admit that Albert Durer, in his work upon the proportions of the human frame, has imparted to it a certain scientific dryness, which lessens its utility. One finds there more of the geometer than the artist, and the geometer, moreover, such as he was at a time when it had not yet been discovered how much the rules of style enhance the value of scientific works, and, above all, of those which appertain at the same time to the domain of the fine arts.