The vicomte was a nice-looking young man with soft features and polished manners, who evidently considered himself a celebrity but out of politeness … - Leo Tolstoy
" "The vicomte was a nice-looking young man with soft features and polished manners, who evidently considered himself a celebrity but out of politeness modestly placed himself at the disposal of the circle in which he found himself. Anna Pávlovna was obviously serving him up as a treat to her guests. As a clever maître d'hôtel serves up as a specially choice delicacy a piece of meat that no one who had seen it in the kitchen would have cared to eat, so Anna Pávlovna served up to her guests, first the vicomte and then the abbé, as peculiarly choice morsels. The group about Mortemart immediately began discussing the murder of the Duc d'Enghien. The vicomte said that the Duc d'Enghien had perished by his own magnanimity, and that there were particular reasons for Buonaparte's hatred of him.
About Leo Tolstoy
Lev Nikolayevitch Tolstoy [Ле́в Никола́евич Толсто́й, usually rendered Leo Tolstoy, or sometimes Tolstoi] (9 September 1828 – 20 November 1910) was a Russian writer, philosopher and social activist (social critic), whose novels War and Peace and Anna Karenina are internationally praised classics of world literature. He was a major influence on the development of Christian anarchism and pacifism, contributing to such nonviolent resistance movements as those of Mahatma Gandhi, Martin Luther King, Jr., and James Bevel.
Biography information from Wikiquote
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Additional quotes by Leo Tolstoy
So the majority of the highest classes of that age, even the popes and ecclesiastics, really believed in nothing at all. They did not believe in the Church doctrine, for they saw its insolvency; but neither could they follow Francis of Assisi, Kelchitsky, and most of the sectarians in acknowledging the moral, social teaching of Christ, for that undermined their social position. And so these people remained without any religious view of life. And, having none, they could have no standard with which to estimate what was good and what was bad art, but that of personal enjoyment.