When we look into a mirror we think the image that confronts us is accurate. But move a millimetre and the image changes. We are actually looking at … - Harold Pinter

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When we look into a mirror we think the image that confronts us is accurate. But move a millimetre and the image changes. We are actually looking at a never-ending range of reflections. But sometimes a writer has to smash the mirror — for it is on the other side of that mirror that the truth stares at us. I believe that despite the enormous odds which exist, unflinching, unswerving, fierce intellectual determination, as citizens, to define the real truth of our lives and our societies is a crucial obligation which devolves upon us all. It is in fact mandatory. If such a determination is not embodied in our political vision we have no hope of restoring what is so nearly lost to us — the dignity of man.

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About Harold Pinter

Harold Pinter (10 October 1930 – 24 December 2008) was a British playwright, actor and theatre director. He was awarded the Nobel Prize in Literature in 2005.

Biography information from Wikiquote

Also Known As

Pen Names: David Baron
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Shorter versions of this quote

When we look into a mirror we think the image that confronts us is accurate. But move a millimetre and the image changes. We are actually looking at a never-ending range of reflections. But sometimes a writer has to smash the mirror – for it is on the other side of that mirror that the truth stares at us.

Additional quotes by Harold Pinter

Language is actually employed to keep thought at bay. The words ‘the American people’ provide a truly voluptuous cushion of reassurance. You don’t need to think. Just lie back on the cushion. The cushion may be suffocating your intelligence and your critical faculties but it’s very comfortable.

I can’t believe that what anyone is at this moment saying has ever happened has never happened. Nothing has ever happened. Nothing. This is the only thing that has ever happened.

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The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, and anguished or mocking smoke screen which keeps the other in its true place. When true silence falls we are left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness.

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