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Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to … - Philip Roth
" "Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it — that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book. I'll go over the first six months of work and underline in red a paragraph, a sentence, sometimes no more than a phrase, that has some life in it, and then I'll type all these out on one page. Usually it doesn't come to more than one page, but if I'm lucky, that's the start of page one. I look for the liveliness to set the tone. After the awful beginning come the months of freewheeling play, and after the play come the crises, turning against your material and hating the book.
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About Philip Roth
<noinclude></noinclude> Philip Milton Roth (19 March 1933 – 22 May 2018) was an American novelist. He won the Pulitzer Prize in 1998 for his novel American Pastoral. In May 2011, he received the Man Booker International Prize, for achievement in fiction on the world stage, becoming the fourth winner of the biennial award.
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Philip Milton Roth
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Now, I'm very vulnerable to female beauty, as you know. Everybody's defenseless against something, and that's it for me. I see it and it blinds me to everything else. They come to my first class, and I know almost immediately which is the girl for me. There is a Mark Twain story in which he runs from a bull, and the bull looks up to him when he's hiding in a tree, and the bull thinks, "You are my meat, sir." Well, that "sir" is transformed into "young lady" when I see them in class.
You rebel against the tribal and look for the individual, for your own voice as against the stereotypical voice of the tribe or the tribe's stereotype of itself. You have to establish yourself against your predecessor, and doing so can well involve what they like to call self-hatred. I happen to think that — all those protestations notwithstanding — your self hatred was real and a positive force in its very destructiveness. Since to build something new often requires that something else be destroyed, self-hatred is valuable for a young person. What should he or she have instead — self-approval, self-satisfaction, self-praise? It's not so bad to hate the norms that keep a society from moving on, especially when the norms are dictated by fear as much as by anything else and especially when that fear is of the enemy forces of the overwhelming majority. But you seem now to be so strongly motivated by a need for reconciliation with the tribe that you aren't even willing to acknowledge how disapproving of its platitudinous demands you were back then, however ineluctably Jewish you may also have felt. The prodigal son who once upset the tribal balance — and perhaps even invigorated the tribe's health — may well, in his old age, have a sentimental urge to go back home, but isn't this a bit premature in you, aren't you really too young to have it so fully developed?
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