The better you tell an old story, the more you are talking about right now. - John Crowley

And that's the last chapter of the history of the world: in which we create, through the workings of the imagination, a world that is uncreated: that is the work of no author. A world that imagination cannot thereafter alter, not in its deepest workings and its laws, but only envision in new ways; where our elder brothers and sisters, the things, suffer our childish logomantic games with them and wait for us to grow up, and know better; where we do grow up, and do know better.

It seems to him that he extends backwards (or is it forwards?) without beginning (or is it end?) and he can't just now remember whether the great tales and plots which he supposes he knows and forever broods on lie in the to-come or lie dead in the has-been. But then suppose that's how secrets are kept, and age-long tales remembered, and unbreakable curses made too.

In those ancient rooms near the center of Belaire all our wisdom originates, born in the gossip's mind as she sits to watch the Filing System or think on the saints. Things come together, and the saint or the System reveals a new thing not thought before to be there, but which once born spirals out like Path along the cords, being changed by them as it goes. As I got older, the stories of the saints which Painted Red told absorbed me more and more; when one day I stayed after everyone else had gone, hoping to hear more, Painted Red said to me: 'Remember, Rush, there's no one who would not rather be happy than be a saint.' I nodded, but I didn't know what she meant. It seemed to me that anyone who was a saint would have to be happy. I wanted to be a saint, though I told no one, and the thought gave me nothing but joy.