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"Tamina serves coffee and calvados to the customers (there aren't all that many, the room being always half empty) and then goes back behind the bar. Almost always there is someone sitting on a barstool, trying to talk to her. Everyone likes Tamina. Because she knows how to listen to people.
But is she really listening? Or is she merely looking at them so attentively, so silently? I don't know, and it's not very important. What matters is that she doesn't interrupt anyone. You know what happens when two people talk. One of them speaks and the other breaks in: "It's absolutely the same with me, I..." and starts talking about himself until the first one manages to slip back in with his own "It's absolutely the same with me, I..."
The phrase "It's absolutely the same with me, I..." seems to be an approving echo, a way of continuing the other's thought, but that is an illusion: in reality it is a brute revolt against a brutal violence, an effort to free our own ear from bondage and to occupy the enemy's ear by force. Because all of man's life among his kind is nothing other than a battle to seize the ear of others. The whole secret of Tamina's popularity is that she has no desire to talk about herself. She submits to the forces occupying her ear, never saying: "It's absolutely the same with me, I...
Milan Kundera (1 April 1929 – 11 July 2023) was a Franco-Czech novelist born in Brno, Czechoslovakia (now the Czech Republic).
Biography information from Wikiquote
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وقد انتهـى به المطـاف إلى الاطمئنان إلى أن فكرة الحب الذى يحل فجأة كالصاعقة يحرر المرأة دفعـة واحدة من كل كابح وحشمة، وبما أنّها عفيفة وبريئة، فأنها تسارع إلى منح نفسها للعشيق مثلما تفعل أى فتاة داعـرة، بل أكثر من ذلك، فالحب حرّر بداخلهـا ينبـوع إلهام على درجة من القوة بحيث أن سلوكهـا العفـوى يمكن أن يشبه سلـوك امرأة ذات باع طويل فى الفجــور ..
فعبقـرية الحـب قد تعوّض الخبرة فى رمشة عيـن ..