Did I read The New Yorker? This question had a dangerous urgency. It wasn't any one writer or article he was worried about, but the font. The meaning… - Jonathan Lethem

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Did I read The New Yorker? This question had a dangerous urgency. It wasn't any one writer or article he was worried about, but the font. The meaning embedded, at a preconscious level, by the look of the magazine; the seal, as he described it, that the typography and layout put on dialectical thought. According to Perkus, to read The New Yorker was to find that you always already agreed, not with The New Yorker but, much more dismayingly, with yourself. I tried hard to understand. Apparently here was the paranoia Susan Eldred had warned me of: The New Yorker's font was controlling, perhaps assailing, Perkus Tooth's mind. To defend himself he frequently retyped their articles and printed them out in simple Courier, an attempt to dissolve the magazine's oppressive context. Once I'd enter his apartment to find him on his carpet with a pair of scissors, furiously slicing up and rearranging an issue of the magazine, trying to shatter its spell on his brain.

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About Jonathan Lethem

Jonathan Lethem (born February 19, 1964) is an American novelist, essayist, and short story writer.

Biography information from Wikiquote

Also Known As

Alternative Names: Jonathan Allen Lethem Harry Conklin
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Flirtation, so effortlessly accomplished. Mention of the train had done it. Train unspecified; they both knew which. They’d ridden together and now shared the ferry, and though a thousand identical to her might have strolled past his Charlottenburg café window in two weeks, the shared destination worked its paltry magic. And both tall. This little was enough to excuse lust as destiny.

It was entirely possible that one song could destroy your life. Yes, musical doom could fall on a lone human form and crush it like a bug. The song, that song, was sent from somewhere else to find you, to pick the scab of your whole existence. The song was your personal shitty fate, manifest as a throb of pop floating out of radios everywhere.

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