In a stroke of imaginative genius our understanding of consciousness was radically transformed, but in an entirely unexpected way. Critical clues cam… - Simon Conway Morris

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In a stroke of imaginative genius our understanding of consciousness was radically transformed, but in an entirely unexpected way. Critical clues came from diffuse nerve nets and, even more extraordinarily, plant neurobiology. Banished forever was the idea that the brain alone was the seat of consciousness. Rather, it is an 'antenna' embedded in a hyperdimensional matrix. The depths of reality are only now being uncovered, but now the springs of imagination, intuition, abstraction and even pre-cognition are revealed. What was once called the unreasonable effectiveness of mathematics was simply a clue to a superbly structured universe where mind is an integral component, instantiated at the big bang or maybe even before? Future exploration offers dizzying prospects, but we are not the first to venture forth. Far in advance of the emergence of human consciousness, innumerable galactic civilisations had slipped into what we now call the Mortimer Manifold.

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About Simon Conway Morris

Simon Conway Morris (born 6 November 1951) is a British paleontologist, who became noted for his studies of the Burgess Shale fossils. He is Professor of Evolutionary Palaeobiology in the Department of Earth Sciences at the University of Cambridge.

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Alternative Names: Conway Morris
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Additional quotes by Simon Conway Morris

Perhaps a suitable analogy to explain the short-falls of Dawkins's account of evolution is to think of an oil painting. In this analogy Dawkins has explained the nature and range of pigments; how the extraordinary azure colour was obtained, what effect cobalt has, and so on. But the description is quite unable to account for the picture itself. This view of evolution is incomplete and therefore fails in its side-stepping of how information (the genetic code) gives rise to phenotype, and by what mechanisms. Organisms are more than the sum of their parts, and we may also note in passing that the world depicted by Dawkins has lost all sense of transcendence.

... not only that, but it can instruct us as to what may be the limits of desirable knowledge and risks of unbridled curiosity. This world-picture could also show that far from being a series of mindless accidents, history has directions and conceivably end-points.

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