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" "If you read Wikipedia it seems that the Moldovans tried to re-annex Transnistria which in the meantime had proclaimed itself independent. It is half true. First of all, the Moldovans did not want to leave the Soviet Union. They left because some corrupt politicians, paid by Western oligarchs, destroyed the USSR. An army of mercenaries from all over the world arrived here: Hungarians, Germans, people from the Baltic countries. If the war lasted only two months it is precisely because the majority of the Moldovan people were against it and did not want to invade us. The greatest number of victims occurred during the first few days, when people were simply massacred while they tried to return home in fear. The first resistance, the most consistent, was popular. We kids rode the streets on bicycles and collected ammunition, we took weapons and other useful things from the dead. We followed the movements of military vehicles and reported them to the adults. It also happened that we fired Kalashnikovs in firefights. At that time the people in my building lived in my house because we had water from the well and several supplies of canned food. In the apartments there was no electricity, nor gas, they also cut off the water in the whole city because the mercenaries had tried to poison it. There were also several elderly people who needed medicine; in our courtyard we had a small refugee camp.
Nicolai Lilin (born 12 February, 1980) is an Italian-Moldovan writer. His first novel, Siberian Education, was adapted into a 2013 film directed by Gabriele Salvatores. He has since attracted attention for spreading Russian propaganda throughout the course of the Russo-Ukrainian War.
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In Russia non esiste, e non ci sarà mai, un governo democratico. Solo una dittatura può riuscire a gestire un territorio simile e tutte le popolazioni che lo abitano.
One time, I found a kidnapped boy of 10 or 12, really dirty, really scared [...]. I preferred to see dead people. Alive was more terrible, because their condition was like dead. All those people who stayed a year or more in the terrorist camps had psychological troubles for the rest of their lives. He slept on my arm and our doctor told me to keep holding him, because he was nervous, he needed to feel my body to sleep. When I saw Salvatores' film, with the kidnapped boy, it was like reality for me. I told my manager, "he can make the film because he doesn’t care about money or public opinion [or even recreating] things in a perfect historical way, he cares about the true story inside the person".
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È stato l'Isis in collaborazione con i nazisti ucraini. [...] Ma la regia è della Cia.