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" "Even if a language disappears, I believe a worldview, a syntax, a cadence survives from which the conquering language builds upon, like the stones the Spanish conquistadores gathered from the Indigenous temples to build their Catholic churches. Something like that is happening in our poetic inheritance. Something old and ancient and sacred survives in the spoken word, which is fascinating for those of us who are word-workers.
Sandra Cisneros (born December 20, 1954) is an American writer.
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I think we are all gifted as children, but we aren’t gifted with the same gifts. In crowded, poor schools, an overwhelmed teacher can’t always help us discover what our gifts are. I am grateful my mom was a frustrated artist. At home we drew murals, created puppet shows, had craft hours, went to the library, visited museums. I’m certain without my mom, I wouldn’t have been an artist today.
It’s memorable because it makes you either laugh or cry. If a story’s really good, it does both. Sometimes it’s not the story’s fault if it doesn’t stay with you, because you’re too old or too young for it. I feel that, in the Native American sense, the story cycles; there are different times of your life that a story may come to you. You don’t remember it, and then you hear. it again or read it again later in your life, and because of what’s happened in your life it’s distinct from the first time you heard it.