So, on one side of the battlefield is a sleep-walking Hindu society that doesn’t realize what is happening, clueless to the wiles of the enemy. On th… - Rajiv Malhotra

Since every root sound has a distinct meaning, its signature is found in all the words derived from it. It is theoretically possible to explain the meaning of the words according to the algebraic combination of letters, syllables and roots. This transparency of rootsounds and semantics follows a natural process and gives Sanskrit the ability to discover its own history. Consequently, Sanskrit is an ever-creative language in which each word is the parent and creator of ideas. A letter is called 'akshara', which literally means imperishable or eternal. Akshara is the eternal sound, and it does not perish but reveals the whole secret of speech. Another term for letter is 'varna', which means hue or colour. Thus, every letter is heard as a sound and has a visual hue as it manifests. The rishis are said to have seen , and not just heard , the Vedas. The term for alphabet, 'varnamala', literally means 'garland of colours' or qualities or hues which the artist uses to paint reality.

The practice of memorizing and reciting ancient scriptures is, in many ways, more accurate than learning via the written word, for an error in recitation can be corrected immediately whereas a scribal error could go unnoticed for centuries. The West tends to think of the oral tradition as a primitive and inefficient means of knowledge transmission, one that was wisely replaced by the invention of writing. Although writing did indeed revolutionize communication, the Indian tradition retains a sense (long gone from the West) that the spoken word carries spiritual energy and is filled with presence. This understanding is reflected not only in the mantra but also in the bhajan, or sacred song.

It seems obvious that Pollock is committed to the Marxist theory linking literary works and political power. He wants to deploy it as his lens for analysing how the aesthetic use of languages in India became interwoven into the fabric of politics. At a deeper level, beyond the aesthetic and political usage of Sanskrit, he finds that old Marxist demon: theology. For him, as for most Marxist-oriented scholars, all forms of spirituality/transcendence are, in effect, irrational, deformed and mystified ways of thinking....