But if we betray B., for whom we betrayed A., it does not necessarily follow that we have placated A. The life of a divorcée-painter did not in the l… - Milan Kundera

The basis of shame is not some personal mistake of ours, but the ignominy, the humiliation we feel that we must be what we are without any choice in the matter, and that this humiliation is seen by everyone.

He had never wanted to know anything about the part of her intimate life that he had not shared with her. Why should he take an interest now, still less take offense at it? Anyhow, he asked himself, what is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what make Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing that everybody has: the body and its needs, its maladies, its manias-constipation for instance, or menstruation. We ashamedly conceal these intimate matters not because they are so personal but on the contrary, they are so lamentably impersonal.

No peace is possible between the novelist and the agélaste [those who do not laugh]. Never having heard God's laughter, the agélastes are convinced that the truth is obvious, that all men necessarily think the same thing, and that they themselves are exactly what they think they are. But it is precisely in losing the certainty of truth and the unanimous agreement of others that man becomes an individual. The novel is the imaginary paradise of individuals. It is the territory where no one possesses the truth, neither Anna nor Karenin, but where everyone has the right to be understood, both Anna and Karenin.