Protocols: Number 1, paras. 11,12,13,14 The political has nothing in common with the moral. The word “right is an abstract thought and proved by noth… - Will Eisner

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Protocols: Number 1, paras. 11,12,13,14 The political has nothing in common with the moral. The word “right is an abstract thought and proved by nothing. Where does right begin? Where does it end? In any State in which there is a bad organization of authority, an impersonality of laws and of the rights over multiplying out of liberalism, I find a new right to attack by the right of the strong, and to scatter to the winds all existing forces of order and regulation, to reconstruct all institutions and to become sovereign lord of those who have left to us the rights of their power by laying them down voluntarily in their liberalism.

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About Will Eisner

William Erwin "Will" Eisner; March 6, 1917 – January 3, 2005) was an American , writer, and entrepreneur. He was one of the earliest cartoonists to work in the industry, and his series (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "" with the publication of his book . He was an early contributor to formal with his book (1985). The was named in his honor, and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.

Also Known As

Alternative Names: William Erwin Eisner Willis Rensie Willis B. Rensie W. Morgan Thomas Erwin Williams Wm. Erwin Mr. Heck Ford Davies
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Additional quotes by Will Eisner

Protocols: What also indeed is, in substance, a loan, especially a foreign loan? A loan is an issue of government bills of exchange containing a percentage obligation commensurate to the sum of the loan capital. If the loan bears a charge of 5 percent, then in twenty years the State vainly pays away in interest a sum equal to the loan borrowed, in forty years it is paying a double sum, in sixty treble and all the while the debt remains an unpaid debt. from this calculation it is obvious that with any form of taxation per head the State is bailing out the last coppers of the poor taxpayers in order to settle accounts…;instead of collecting

As the story unfolds it is at 55 Dropsie Avenue where Frimme Hersh deals with God; where the street singer fails to grasp his chance for gory. It is on Dropsie Avenue where a diminutive enemy defeats the super, and Willie comes of age. It is in an alley of Dropsie Avenue where Jacob Shtarkah tries to find the meaning of life. It is also on Dropsie Avenue, finally, where I undertake the biography of the street itself, through the physical evolution of the block, the rise and fall of the tenement building at No.55 and the ethnic and social changes of the stream of occupants.

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