From these brief preliminary indications it follows that the concept of truth is twofold, designating both what shows itself and the fact of self-sho… - Michel Henry

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From these brief preliminary indications it follows that the concept of truth is twofold, designating both what shows itself and the fact of self-showing. What shows itself is the gray sky or the equality of radii in a circle. But the fact of something showing itself has nothing to do with what shows itself, with the gray of the sky or with geometric properties, and is even totally indifferent to what shows itself. The proof of this is that a blue sky can show itself to us as well, just as geometric properties, other forms, or even the fury of peoples killing each other, the beauty of a painting, the smile of a child. The fact of self-showing is as indifferent to what shows itself as the light to what it illuminates – shining, according to Scripture, on the just as well as the unjust. But the fact of self-showing is indifferent to all that shows itself only because by its nature it differs from all that, whether it may be: clouds, geometric properties, fury, a smile. The fact of self-showing, considered in itself and as such – that is the essence of truth.

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About Michel Henry

Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.

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Car notre chair n'est rien d'autre que cela qui, s'éprouvant, se souffrant, se subissant et se supportant soi-même et ainsi jouissant de soi selon des impressions toujours renaissantes, se trouve, pour cette raison, susceptible de sentir le corps qui lui est extérieur, de le toucher aussi bien que d'être touché par lui. Cela donc dont le corps extérieur, le corps inerte de l'univers matériel, est par principe incapable.

The essence of media communication is television. What media communication communicates is itself, in such a way that the form of this communication becomes its content. This is why something can only be real, if and only if it enters into this communication. What matters is the number of journalists, the number of cameras gathered around what will come into being in and through them: the event. In and through them, the event does not only derive its importance but its existence. The media world thus determines its nature. For what claims the title of an "event" and thus to exist must be such that it can be televised; it is and must be created, cut, limited by this inescapable demand whose essence we have recognized: the news (actualité). This refers to what is there now in its most extreme punctuality and superficiality -- a superficiality and punctuality derived from its ability to be televised and from being televised -- for the time that it will exist and after which it will fall into nothingness.

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The abstraction made by science is thus twofold. First, it is abstraction that defines the scientific world as such. Sensible qualities and the affective predicates that belong to them a priori are put out of play from the being of nature so that they only retain the forms capable of giving them an ideal determination. This nonconsideration of the subjective features of every possible world is indispensable from a methodological point of view, inasmuch as it allows for the establishment of procedures such as quantitative measurement that permit types of knowledge to be obtained that otherwise would be inaccessible. But, the infinite development of this ideal knowledge can only be pursued legitimately inasmuch as it remains clearly conscious of the limits of its field of investigation, limits that it has drawn itself. It cannot escape the fact that the setting aside of the sensible and affective properties of the world presupposes the setting aside of life itself, that is to say, of what makes up the humanity of the human being. That is the second abstraction made by science in the current sense: the abstraction of Life and of what alone truly matters.

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