How can the Universe tell its own story save by making use of human speech; how convey its meanings to finite minds save by employing a thinker to de… - L. P. Jacks

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How can the Universe tell its own story save by making use of human speech; how convey its meanings to finite minds save by employing a thinker to declare them? So long as the story remains unspoken, unwritten, can we say it exists at all? Does not the significance of things become a story by the very process which ends in the movement of an intelligently guided pen over a sheet of paper, in the reading of printed types, in the utterance of recognised vocables; and until this process has been accomplished is not the “meaning” a mere promise or unrealized potency? Can we learn the history of the world, and of human life, otherwise than by reading, or hearing it spoken? How, then, can we receive it without the intermediation of a writer, a speaker?

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About L. P. Jacks

Lawrence Pearsall Jacks (9 October 1860 – 17 February 1955), usually cited as L. P. Jacks, was an English educator, philosopher, and Unitarian minister who rose to prominence in the period from World War I to World War II.

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Birth Name: Lawrence Pearsall Jacks
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Though science makes no use for poetry, poetry is enriched by science. Poetry “takes up” the scientific vision and re-expresses its truths, but always in forms which compel us to look beyond them to the total object which is telling its own story and standing in its own rights. In this the poet and the philosopher are one. Using language as the lever, they lift thought above the levels where words perplex and retard its flight, and leave it, at last, standing face to face with the object which reveals itself.

Is not every man familiar with situations in his own life, when the needs of self-expression cannot be satisfied by saying any thing whatsoever times and occasions when, to make his fellows understand what he means, he must straight way do something, or be something, and perhaps hold his tongue the while? And can we deny that the same holds good of the Universe?

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Are not the richest and most significant experiences of man precisely those which are the least patient of verbal reproduction? A book, a treatise, a discourse, is the very thing that cannot contain them, that can contain at most their lower elements, their less significant aspects. Who shall transfer them to paper, write them in ink, utter them in words? And yet, though inexpressible thus, these things crave expression, for they are full of meaning and must be expressed. They have a language of their own. Art can utter some of them, and Nature, perhaps, can interpret them all. They borrow her tongues, speaking in the winds, singing in the voice of moving waters, looking down upon us in the cold shining of the stars. What they mean, we, too, can express; but we express it, not by speaking there and then, but by all that we become through their influence, by all that we are led to do, through their compelling, till life shall end.

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