It is only after prolonged, and often painful, self-examination that any of us can realise the extent to which our minds are in bondage to words, to phrases, to formulae. We are the children of an age which spends the best energies of its life in the discussion of life, in an atmosphere of deferred fulfillment, continually postponing the act of living to the work of mentally preparing to live. Preoccupied with these preparations, we become skeptical as to all that lies beyond; and if for a moment we pass the boundary which separates the area of discussion from the fact discussed, our minds become troubled and amazed, and we conclude, strangely enough, that we are in a land of moonshine and of dreams.

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Philosophy has been called the search for the Permanent amid the changing. With this account of philosophy there is no need to quarrel. But having accepted it, a distinction remains to be observed, a distinction of capital importance, which we are in constant danger of forgetting. It is one thing to find the Permanent; it is another thing to find a form of words in which the Permanent shall stand permanently expressed. It is one thing to experience something fixed and changeless; it is another thing to fix this something by a changeless definition. The first may be possible, while the second remains impossible for ever.

The poet takes us straight into the presence of things. Not by explanation, but by indication; not by exhausting its qualities, but by suggesting its value he gives us the object, raising it from the mire where it lies trodden by the concepts of the understanding, freeing it from the entanglements of all that “the intellect perceives as if constituting its essence.” Thus exhibited, the object itself becomes the meeting-ground of the ages, a centre where millions of minds can enter together into possession of the common secret. It is true that language is here the instrument with which the fetters of language are broken. Words are the shifting detritus of the ages; and as glass is made out of the sand, so the poet makes windows for the soul out of the very substance by which it has been blinded and oppressed. In all great poetry there is a kind of “kenosis” of the understanding, a self-emptying of the tongue. Here language points away from itself to something greater than itself.

Of all the media of expression employed by man (and let us never forget that they are many) none are so unstable, none so quick to change their meaning, as words. Even sculpture, architecture, painting, in their noblest works, speak differently under different conditions; but these arts are relatively immortal compared with speech.

How can the Universe tell its own story save by making use of human speech; how convey its meanings to finite minds save by employing a thinker to declare them? So long as the story remains unspoken, unwritten, can we say it exists at all? Does not the significance of things become a story by the very process which ends in the movement of an intelligently guided pen over a sheet of paper, in the reading of printed types, in the utterance of recognised vocables; and until this process has been accomplished is not the “meaning” a mere promise or unrealized potency? Can we learn the history of the world, and of human life, otherwise than by reading, or hearing it spoken? How, then, can we receive it without the intermediation of a writer, a speaker?

Would not all we mean by “communication between mind and mind” be provided for if we suppose that common knowledge comes about, not from our explaining things to one another, but from things explaining themselves in the same terms to us all? Accepting the object as its own interpreter, as its own “medium of communication,” do we not begin to understand what is utterly dark on any other view, how it comes to pass that the resulting knowledge is a common possession?

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The spirit of fellowship, with its attendant cheerfulness, is in the air. It is comparatively easy to love one's neighbor when we realize that he and we are common servants and common sufferers in the same cause. A deep breath of that spirit has passed into the life of England. No doubt the same thing has happened elsewhere.

A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which. He simply pursues his vision of excellence through whatever he is doing, and leaves others to determine whether he is working or playing. To himself, he always appears to be doing both.

The human mind loves the bondage of words and is apt, when freed from one form of their tyranny, to set up another more oppressive than the last. The highest function of philosophy is to enforce the attitude of meditation and therewithal restrain the excessive volubility of the tongue. To us it seems that the reflective thinker wins his greatest victories when by what he says he compels us to recognise the relative insignificance of anything he can say. His task is not to capture Reality, but to free it from captivity.

Though science makes no use for poetry, poetry is enriched by science. Poetry “takes up” the scientific vision and re-expresses its truths, but always in forms which compel us to look beyond them to the total object which is telling its own story and standing in its own rights. In this the poet and the philosopher are one. Using language as the lever, they lift thought above the levels where words perplex and retard its flight, and leave it, at last, standing face to face with the object which reveals itself.

I had been virtually a Unitarian (as I still am) but without knowing it. The experience of being among Unitarians who did know what they were, and attached much importance to it, was entirely novel to me, but I soon fell into their ways and found it easy to go forward on their road, the more so because the other roads became closed to me.