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" "What distinguishes language from isolated gestures and signs, no matter how numerous, is that it forms a complex ramifying structure, which in its conceptual entirety presents a Wiltbild or comprehensive symbolic framework capable of embracing many aspects of reality: not a static representation like a picture or a sculpture, but a moving picture of things, events, processes, ideas, purposes, in which every word is surrounded by a rich penumbra of original concrete experiences, and every sentence brings with it some degree of novelty, if only because time and place, intention and recipient, change its meaning. Contrary to Bergson, language is the least geometric, the least static; of all the arts.
Lewis Mumford (19 October 1895 – 26 January 1990) was an American historian of technology and science, also noted for his study of cities.
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Because of their origin and purpose, the meanings of art are of a different order from the operational meanings of science and technics: they relate, not to external means and consequences, but to internal transformations, and unless it produce these internal transformations the work of art is either perfunctory or dead.
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Though human consciousness plays such a central part, and is the basis of all his creative and constructive activities, man is nevertheless no god: for his spiritual illumination and self-discovery only carry through and enlarge nature's creativity. Man's reason now informs him that even in his most inspired moments he is but a participating agent in a larger cosmic process he did not originate and can only in the most limited fashion control. Except through the expansion of his consciousness, his littleness and his loneliness remain real. Slowly, man has found out that, wonderful though his mind is, he must curb the egoistic elations and delusions it promotes; for his highest capacities are dependent upon the cooperation of a multitude of other forces and organisms, whose life-courses and life-needs must be respected.