I always say to myself, 'I never had a career, only work.' What I mean by that is sometimes — and I won't mention names — but when you get into this … - Nicolas Cage

I had gone on a bit of a tear for a while, exploring what I thought I could do with the boundaries or the limitations of film performance, and I had this philosophy, if you will, that what you could do in one art form, you might be able to do in another, and why not try it? Why not try something surrealistic or operatic or abstract or impressionistic in film performance? It was more experimental. A lot of it was very satisfying and very rewarding for me and my personal dreams about what I wanted to examine with film performance, but I had done that, and I felt that I had developed enough life experience, memories, dreams, where I could return to a more naturalistic, quiet style.

If I have my breakfast, then I can think, and that includes spiritual things, or whatever it is I want to do, meditate or read a book or watch a movie, and so I respect the food because that comes first for me. I think the movie shows the power of the experience that we all have with food.

There’s a difference between remorse and regret. I don’t have any regret. And when I say that, what I’m trying to say is that I’m applying my mistakes to my present so that I learned to improve on myself and be a better man. And I do think every movie I’ve made that hasn’t worked has all led me to this place where I’m at now, where I can do a movie like The Unbearable Weight of Massive Talent and I can tell the story with some integrity and authenticity to it. Everything happened for a reason. I have to look at it like that because that’s the healthiest and most positive way of looking at it.