In our own day classics have been dethroned without being replaced. But throughout the seventeenth, eighteenth and nineteenth centuries our statesmen… - G. M. Trevelyan

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In our own day classics have been dethroned without being replaced. But throughout the seventeenth, eighteenth and nineteenth centuries our statesmen were so brought up that they thought of Rome as the hearth of their political civilization, where their predecessor Cicero had denounced Catiline; where the models of their own eloquence and statecraft, as taught them at Eton, Harrow and Winchester, had been practised and brought to perfection. And, therefore, the ruins of the Forum were as familiar, as sacred, and as moving to Russell and to Gladstone as to Mazzini and Garibaldi themselves. This was a prime fact in the history of the Risorgimento.

English
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About G. M. Trevelyan

George Macaulay Trevelyan (16 February 1876 – 21 July 1962) was an English historian and academic.

Also Known As

Alternative Names: George Macauley Trevelyan George Macaulay Trevelyan
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The persistence of the Foxite tradition in one section of the governing class made it possible for Grey, at the end of his long career, to constitute a party in the unreformed Parliament, large enough when backed from outside by the middle and lower classes, to pass the Bill that abolished the rotten boroughs. Nothing else could have ultimately averted civil war. It was certainly inevitable, and it may have been desirable, that a great Conservative reaction should emphasise our rejection of the French doctrines. But if the whole of the privileged class had joined Pitt's anti-Jacobin bloc and had been brought up in the neo-Tory tradition, the constitution could not have been altered by legal means, and change could only have come in nineteenth-century Britain along the same violent and bloodstained path by which it has come in continental countries.

I am sure I am as little of a Jacobite as anybody but I sincerely hope that the statue of James II will not be moved, because it is a fine work of art. If once we begin moving statues for political or historical reasons there will be no end to controversy.

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