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GRONINGEN, BERLIN, MOSCOW, PARIS 1923 Start of the violet season Reader As we are convinced that it is not too LATE, we will speak. Time is running, … - Hendrik Nicolaas Werkman
" "GRONINGEN, BERLIN, MOSCOW, PARIS 1923
Start of the violet season
Reader
As we are convinced that it is not too LATE, we will speak.
Time is running, honestly.. ..it has become necessary now to do something, before it is too late
There must be witnessing and speaking..
..Art is everywhere. She is thrown us people on our jackets by the birds. In every infant with weak intestines, the latent seed is laid for an artist..
Our first publication will soon be published. We urgently invite you to become a fellow reader [of the upcoming art-magazine 'The Next Call'].. .. We count on your DEEDS in the white season with the black shadows..
English
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About Hendrik Nicolaas Werkman
Hendrik Werkman (29 April 1882 - 10 April 1945) was an experimental Dutch typographer and printer, partly as commercial profession, partly as a free artist. He set up a clandestine printing-house during the Nazi occupation of the Netherlands (1940–45) and was shot by the Gestapo in the last days of the German occupation.
Also Known As
Alternative Names:
H. N. Werkman
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Hendrik Werkman
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H.N. Werkman
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Additional quotes by Hendrik Nicolaas Werkman
Last week we made a bike ride along cornfields with the harvest ready to be brought in. Here and there it was already brought in. Heavily loaded cars rolled back home, and it sounds so nice when the car comes after you.. ..and what a fruit tree loaded with ripening fruit. It is all full of promises and full of mild softness. As you say, it is the late-summer melancholy.. ..moreover one can weep for this dying everywhere on the fields, without any mercy.
The subject reports itself, it is never looked for. Afterwards a small drawing will follow for the color-planes which are determined immediately. These colors will be printed by large logs and updated and enlivened with the hand-roller. For pressing I use an old hand-press with lever (from c. 1800).. .Sometimes it is necessary to press heavily, other times only very light. Sometimes one half of the block is rolled in [with ink] bold, the other half only skimpy. By first printing sometimes the first layer of paint on a piece of paper, a gentle tint appears which is then printed on the original. Another time I print the first print of the paper back on the original.. .As soon as the color-planes have been applied, the first state is reached, so to say..
..Of course all kinds of side-steps can be made, while working. In case of enlivening the picture - both in terms of color or decoration - the main goal I always keep in mind.
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