Ru-h-ru-h-ru-h-h-h-h. Pooh-ooh-ooh. Tick-tick-tick-tick. Pre. R-r-r-r-r-uh-h. Huh! Bang. Su-su-su-ur. Booh-a-ah. R-r-r-r. Pooh…multitude of sounds, a… - Piet Mondrian

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Ru-h-ru-h-ru-h-h-h-h. Pooh-ooh-ooh. Tick-tick-tick-tick. Pre. R-r-r-r-r-uh-h. Huh! Bang. Su-su-su-ur. Booh-a-ah. R-r-r-r. Pooh…multitude of sounds, all mixed together. Motorcars, buses, carts, carriages, people, lamp-posts, trees.. all mixed together; in front of cafés, shops, offices, posters, shop windows: multitude of things. Motion and standstills: different movement. Movement in space and movement in time. Multitude of images and all sorts of ideas. Images are veiled truths. All different truths form what is true. What is individual does not display all in a single image.. ..Ru-ru-ru-u-u. Pre. Images are boundaries. Multitude of images and all sorts of boundaries. Elimination of images and boundaries through all sorts of images. Boundary clouds what is true. Rebus: where is what is true? Boundaries are just as relative as images, as time and space. [Mondrian's poem has strong connections with 'dynamism' of Futurism]

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About Piet Mondrian

Pieter Cornelis "Piet" Mondriaan (after 1912: Piet Mondrian). (March 7, 1872 – February 1, 1944) was a Dutch painter starting in Dutch impressionism but soon started to develop abstraction from his landscape paintings. He became an inspiring leader of the De Stijl art movement and group, together with Theo van Doesburg. Mondrian proclaimed 'Neo Plasticism' as a completely new, Abstract art style.

Also Known As

Native Name: Pieter Cornelis (Piet) Mondriaan
Alternative Names: Mondrian Mondriaan Piet Cornelis Mondrian Piet Cornelies Mondrian Piet Mondriaan Pieter Cornelis Mondrian Pieter Cornelis Mondriaan
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Human culture reveals an opposition: diminution of the instinctive faculties and development of the intuitive capacity. A cultivation of instinctive faculties produces human degeneration; a cultivation of intuitive capacities creates human progress.

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My new installment [Mondrian moved to a new studio in Paris, where he applied the principles of Neo-Plasticism into the interior of his studio ] is about decoration, occasioned by my studio here, where I've set up a sort of display. I couldn't work directly on the walls, so I had to make do with pieces of painted cardboard. But in any case, I am now convinced that in this way it is possible to realize Neo-Plasticism in the interior. Of course I had to paint the furniture as well. It was worth the effort, as it has a favourable influence on my work.

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