Down swept the gathered waters over rocks Which broke at times the column's foaming line ; Darkening amid the snow-white froth, it swept Like an all … - Letitia Elizabeth Landon
" "Down swept the gathered waters over rocks
Which broke at times the column's foaming line ;
Darkening amid the snow-white froth, it swept
Like an all conquering army, and an arch
Of sparkling hues that in the sunbeams played
Seemed to unite it with the sky which hung
Above all calmness and repose :
English
Collect this quote
About Letitia Elizabeth Landon
Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.
Also Known As
Native Name:
Letitia Landon
Alternative Names:
L. E. L.
•
Letitia Maclean
•
Letitia Elizabeth Maclean
•
Landon
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Letitia Elizabeth Landon
... what could have brought him to Dalton. There were no chalybeate-springs, warranted to cure every disease under the sun; no ruins in the neighbourhood, left expressly for antiquarians and pic-nic parties; no fine prospects, which, like music, people make it matter of conscience to admire; no celebrated person had ever been born or buried in its environs; there were no races, no assizes—in short, there was “no nothing."
Limited Time Offer
Premium members can get their quote collection automatically imported into their Quotewise collections.
For a discussion of some of the contents of this significant cultural volume, see Adriana Craciun, ‘Fatal Women of Romanticism’, Cambridge University Press, 2004, page 204. The section ‘The Enchantress’ here begins by describing that first story as a ‘self-consciously Byronic text’ that ‘develops a Promethean, distinctly Luciferian model of poetic identity and self-creation’.
Loading...