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" "Her mind was only a lonely mansion for the stories of extinction. (p333)
Alexis Wright FAHA (born 25 November 1950) is a Waanyi (Aboriginal Australian) writer. As of 2023, Wright has produced four novels, one biography, and several works of prose. Her work also appears in anthologies and journals.
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(what is one thing that you want people to take away from The Swan Book?) AW: Just to be kind to the world – it is the only one we have, and to be kinder to each other and to see the beauty and genius in all our cultures, and to see the beauty and right to exist and thrive of the creatures sharing this planet with us. The Swan Book asks for respect and the need to gain greater knowledge and respect for the responsibilities that Indigenous peoples have for the good stewardship of the world.
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Upstairs in my brain, there lives this kind of cut snake virus in its doll's house. Little stars shining over the moonscape garden twinkle endlessly in a crisp sky. The crazy virus just sits there on the couch and keeps a good old qui vive out the window for intruders. It ignores all of the eviction notices stacked on the door. The virus thinks it is the only pure full-blood virus left in the land. Everything else is just half-caste. Worth nothing! Not even a property owner. Hell yes! it thinks, worse than the swarms of rednecks hanging around the neighborhood. Hard to believe a brain could get sucked into vomiting bad history over the beautiful sunburnt plains. Inside the doll's house the virus manufactures really dangerous ideas as arsenal, and if it sees a white flag unfurling, it fires missiles from a bazooka through the window into the flat, space, field or whatever else you want to call life. The really worrying thing about missile-launching fenestrae is what will be left standing in the end, and which splattering of truths running around in my head about a story about a swan with a bone will last on this ground. (first lines)