MSB: La Rochefoucauld says that Cardinal de Retz (whom he didn't like) looked upon Pascal as a great rival. RG: The cardinal didn't have Pascal's gen… - René Girard

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MSB: La Rochefoucauld says that Cardinal de Retz (whom he didn't like) looked upon Pascal as a great rival. RG: The cardinal didn't have Pascal's genius, but he did have the human experience that Pascal lacked as both a very sick and a very lonely man. Montaigne, on the other hand, was too happy, too untroubled. Montaigne really prefigures the French bourgeois who has tasted success — the rat in his cheese, as one might say. MSB: You consider Montaigne's carefree spirit as a form of social blindness. Do you see a comparable danger in the determination to experience love as the only thing, the last thing possible in life? One finds this determination embodied, for example, by Prince Myshkin in Dostoevsky's The Idiot. RG: Prince Myshkin is an ambiguous, ambivalent character, and to consider him as truly good, as many people do, is an error. Looking at Dostoevsky's notebooks for The Idiot, we see that Prince Myshkin, just like Stavrogin in The Demons, is the hypostasis of a person who has no desire. The absence of desire is Stavrogin's weakness, his suicidal side. He makes all sorts of attempts to arouse in others the desire, the mimetic desire, that he doesn't have. This is very clear in the duels: he always wins, because he never loses his nerve. Myshkin's attitude is much the same, I believe. Dostoevsky himself, confronted with a personality that was stronger than his own, wondered if it was the result of an excess of desire, or of a total absence of it. His notebooks make it clear that Stavrogin and Myshkin are monstrous figures who lack the same thing. Like Stavrogin, Myshkin has a negative effect on people around him — General Ivolgin, for example. Women fall in love with him because he has no mimetic desire. They are therefore his victims, although Myshkin himself seems not to understand what is going on. Isn't this precisely because he is unacquainted with mimetic desire? It seems to be a kind of physical defect, almost a biological deficiency. Otherwise, Myshk

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About René Girard

René Girard (December 25, 1923 – November 4, 2015) was a French historian, literary critic, and philosopher of social science. His work belongs to the tradition of anthropological philosophy.

Biography information from Wikiquote

Also Known As

Alternative Names: Rene Girard René Noël Théophile Girard
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So long as globalization was slow in coming, everyone hoped and prayed that it would come soon. The unity of the world's nations was one of the great triumphalist themes of modernism. World's fairs were staged in its honor, one after another. Now that globalization is here, however, it arouses more anxiety than pride. The erasing of differences may not portend the era of universal reconciliation that everyone confidently expected.

A dynamic force seems to be drawing first Western society, then the rest of the world, toward a state of relative indifferentiation never before known on earth, a strange kind of nonculture or anticulture we call modern.

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"He is an unsuccessful scapegoat whose heroic willingness to die for the truth will ultimately make the entire cycle of satanic violence visible to all people and therefore inoperative. The "kingdom of Satan" will give way to the "kingdom of God." Thanks to Jesus' death, the Spirit of God, alias the Paraclete (a word that signifies "the lawyer for the defense"), wins a foothold in the kingdom of Satan. He reveals the innocence of Jesus to the disciples first and then to all of us. The defense of victims is both a moral imperative and the source of our increasing power to demystify scapegoating. The Passion accounts reveal a phenomenon that unbeknownst to us generates all human cultures and still warps our human vision in favor of all sorts of exclusions and scapegoating. If this analysis is true, the explanatory power of Jesus' death is much greater than we realize, and Paul's exalted idea of the Cross as the source of all knowledge is anthropologically sound. The"

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