MSB: La Rochefoucauld says that Cardinal de Retz (whom he didn't like) looked upon Pascal as a great rival. RG: The cardinal didn't have Pascal's gen… - René Girard

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MSB: La Rochefoucauld says that Cardinal de Retz (whom he didn't like) looked upon Pascal as a great rival. RG: The cardinal didn't have Pascal's genius, but he did have the human experience that Pascal lacked as both a very sick and a very lonely man. Montaigne, on the other hand, was too happy, too untroubled. Montaigne really prefigures the French bourgeois who has tasted success — the rat in his cheese, as one might say. MSB: You consider Montaigne's carefree spirit as a form of social blindness. Do you see a comparable danger in the determination to experience love as the only thing, the last thing possible in life? One finds this determination embodied, for example, by Prince Myshkin in Dostoevsky's The Idiot. RG: Prince Myshkin is an ambiguous, ambivalent character, and to consider him as truly good, as many people do, is an error. Looking at Dostoevsky's notebooks for The Idiot, we see that Prince Myshkin, just like Stavrogin in The Demons, is the hypostasis of a person who has no desire. The absence of desire is Stavrogin's weakness, his suicidal side. He makes all sorts of attempts to arouse in others the desire, the mimetic desire, that he doesn't have. This is very clear in the duels: he always wins, because he never loses his nerve. Myshkin's attitude is much the same, I believe. Dostoevsky himself, confronted with a personality that was stronger than his own, wondered if it was the result of an excess of desire, or of a total absence of it. His notebooks make it clear that Stavrogin and Myshkin are monstrous figures who lack the same thing. Like Stavrogin, Myshkin has a negative effect on people around him — General Ivolgin, for example. Women fall in love with him because he has no mimetic desire. They are therefore his victims, although Myshkin himself seems not to understand what is going on. Isn't this precisely because he is unacquainted with mimetic desire? It seems to be a kind of physical defect, almost a biological deficiency. Otherwise, Myshk

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About René Girard

René Girard (December 25, 1923 – November 4, 2015) was a French historian, literary critic, and philosopher of social science. His work belongs to the tradition of anthropological philosophy.

Biography information from Wikiquote

Also Known As

Alternative Names: Rene Girard René Noël Théophile Girard

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Additional quotes by René Girard

The revolutionaries thought they would be destroying vanity when they destroyed the privileges of the noble. But vanity is like a virulent cancer that spreads in a more serious form throughout the body just when one things it has been removed. Who is there left to imitate after the tyrant has been removed. Henceforth men shall copy each other; idolatry of one person is replaced by hatred of a hundred thousand rivals. In Balzac's opinion, too, there is no other god but envy for the modern crowd whose greed is no longer stemmed and held within acceptable limits by the monarch. Men will become gods for each other.

"The account thus shows once again the omnipotence of mimetic contagion. What motivates Pilate, as he hands Jesus over, is the fear of a riot. He demonstrates "political skill," as they say. This is true, no doubt, but why does political skill almost always consist of giving in to violent contagion?"

Like Hölderlin, I think that Christ alone allows us to face this reality without sinking into madness. The apocalypse does not announce the end of the world; it creates hope.

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