The simultaneity of the disappearance of literature (as aesthetic) and history (as development), which we can observe around us in the academy, point… - Russell Berman

Benjamin describes the revolutionary moment when the past suddenly bursts into the present, as if rising from the grave to rectify the wrongs it suffered at the hands of a banally triumphant progress. Thus Benjamin’s historical materialism implies a capacity to link otherwise separate and distant moments in time through a profound empathy. The empathy takes on a revolutionary character by disrupting the regularity of quotidian temporality. Without this sort of tie to the past, no critical stance in the present is possible.

The point is not that contemporaneity is insignificant. ... It is rather that there is something more important at stake in the temporal character of literature: its relation to history, understood as change and development, rather than as context and frame.

The modern reading of ancient literature involves a mode of reception that is not merely scholarly or antiquarian. Instead, aesthetic experience allows for a direct relationship between reader and work, despite the historical distance. Today’s consumer cannot participate in the ancient economy by trying to use an Athenian coin as legal tender; but today’s reader can participate in the ancient literary imagination though an authentic engagement with the Homeric text (no matter how much contemporary circumstances necessarily also enter into that encounter with the ancient text). Thus the historicist imperative of periodization evidently stands at odds with the potential for immediacy associated with literary reception and aesthetic experience.