I want to break out — to leave this cycle of infection and death. I want to be taken in love: so taken that you and I, and death, and life, will be g… - Thomas Pynchon
" "I want to break out — to leave this cycle of infection and death. I want to be taken in love: so taken that you and I, and death, and life, will be gathered inseparable, into the radiance of what we would become....
About Thomas Pynchon
Thomas Ruggles Pynchon, Jr. (born 8 May 1937) is an American writer based in New York City, known for his dense and complex works of fiction.
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Additional quotes by Thomas Pynchon
Acts have consequences, Dixon, they must. These Louts believe all's right now, — that they are free to get on with Lives that to them are no doubt important, — with no Glimmer at all of the Debt they have taken on. That is what I smell'd, — Lethe-Water. One of the things the newly-born forget, is how terrible its Taste, and Smell. In Time, these People are able to forget ev'rything. Be willing but to wait a little, and ye may gull them again and again, however ye wish, — even unto their own Dissolution. In America, as I apprehend, Time is the true River that runs 'round Hell.
A number of frail girls... prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in this tapestry, and the tapestry was the world.
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The rest of the Crew partook of the same lethargy. Raoul wrote for television, keeping carefully in mind, and complaining bitterly about, all the sponsor-fetishes of that industry. Slab painted in sporadic bursts, referring to himself as a Catatonic Expressionist and his work as “the ultimate in non-communication.” Melvin played the guitar and sang liberal folk songs. The pattern would have been familiar—bohemian, creative, arty—except that it was even further removed from reality, Romanticism in its furthest decadence; being only an exhausted impersonation of poverty, rebellion and artistic “soul.” For it was the unhappy fact that most of them worked for a living and obtained the substance of their conversation from the pages of Time magazine and like publications