I don't know many writers. [...] Well, I dunno, but I do have the feeling that other writers can't help you with writing. I've gone to writers' confe… - Nelson Algren

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I don't know many writers. [...] Well, I dunno, but I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write. I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live, he observes.

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About Nelson Algren

(March 28, 1909 – May 9, 1981) was an American writer. Best known for two of his novels, The Man with the Golden Arm (1949, , adapted into ) and A Walk on the Wild Side (1956, adapted into ), Algren also wrote short stories collected in The Neon Wilderness (1947), and the book-length essays Chicago: City on the Make (1951) and Nonconformity (1953/1996).

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Alternative Names: Nelson Ahlgren Abraham
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Additional quotes by Nelson Algren

[About Chicago:] It's every man for himself in this hired air. / Yet once you've come to be part of this particular patch, you'll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.

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[About whether critics have influenced his work:] None could have, because I don't read them. I doubt anyone does, except other critics. It seems like a sealed-off field with its own lieutenants, pretty much preoccupied with its own intrigues. I got a glimpse into the uses of a certain kind of criticism this past summer at a writers' conference – into how the avocation of assessing the failures of better men can be turned into a comfortable livelihood, providing you back it up with a Ph.D. I saw how it was possible to gain a chair of literature on no qualification other than persistence in nipping the heels of Hemingway, Faulkner, and Steinbeck. I know, of course, that there are true critics, one or two. For the rest all I can say is, “Deal around me.”

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