Halfway through writing the book, I still had no title. It came wonderfully into being when I complimented my host at a party on his flourishing avoc… - Elaine Dundy

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Halfway through writing the book, I still had no title. It came wonderfully into being when I complimented my host at a party on his flourishing avocado plant. I said, I’d kept trying and failing with my own avocado pits. Someone said, what you’ve got is a dud avocado, and Ken said, that’s a good title for a novel. I thought, this title is mine, and it was. Ken and I had the same agent, and for a publisher we decided on Victor Gollancz, who was so good with first novels. Wonderfully, he accepted it, but with several caveats. He didn’t like the title. It sounded like a cookbook. He also wanted me to write under my married name. I said no to both. He accepted. He decided it needed a subtitle, "La Vie Amoureuse of Sally Jay in Paris." I said, Oh no, no! He said, this was the first time in his experience that an unknown writer had complained about a book cover. However, he did put on the book’s jacket that the subtitle was the publisher’s. Ken read it in proof and said, "You’ve got a thumping great best-seller here." Curiously, the first thing I felt was relief. I believed him. No one could predict how a play or novel would be received by the public like Ken could. And only then was I set free to let excitement take hold of me.

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About Elaine Dundy

Elaine Dundy (1 August 1921 – 1 May 2008) was an American novelist, biographer, journalist, actress and playwright.

Also Known As

Alternative Names: Elaine Rita Dundy
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It was a hot, peaceful, optimistic sort of day in September. It was around eleven in the morning, I remember, and I was drifting down the boulevard St. Michel, thoughts rising in my head like little puffs of smoke, when suddenly a voice bellowed into my ear: "Sally Jay Gorce! What the hell? Well, for Christ’s sake, can this really be our own little Sally Jay Gorce?” I felt a hand ruffling my hair and I swung around, furious at being so rudely awakened. Who should be standing there in front of me, in what I immediately spotted as the Left Bank uniform of the day, dark wool shirt and a pair of old Army suntans, but my old friend Larry Keevil. He was staring down at me with some alarm. I said hello to him and added that he had frightened me, to cover any bad-tempered expression that might have been lingering on my face, but he just kept on staring dumbly at me. "What have you been up to since … since … when the hell was it that I last saw you?” he asked finally. Curiously enough I remembered exactly.

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My success took another road. I complained to Rod Steiger, "The book’s hardly been out and everyone wants to know what I’m going to write next. I mean, don’t I get to rest on my laurels?" In fact I had no idea of writing a second novel. "No," said Rod, answering my question. "Succeeding only means you get another chance to try to do it again." I thought about it, and then Ken said to me, "If you write another book, I’ll divorce you." I sat down and started my second novel and wondered that I knew its beginning and its end. I put it aside to write a play which went on in London.… I went back to my novel and finished it. It was published to good reviews but now there were a couple of stinkers. I tore them up and flushed them down the toilet. I’d become a writer. In 1964 Ken and I got divorced. Well, we did bad things to each other. Now, some three decades later, I look back in gratitude at him: I look back in wonder.

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