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" "The tactics of Marxists to capture power in all spheres and at all levels is no different from that of caste politics, which has proved to be a curse upon India. They appoint people sympathetic to their ideology in universities, infiltrate print and television media with their fellow travelers, write glowing reviews of books written by authors loyal to their ideology, sideline authors who hold opposing or alternate views, organize ideologically-motivated seminars and camps to attract young minds to their side, exert influence on the Government to give out awards to people who follow their ideology…they have done this in a systematic manner. Critiquing a literary work by using ideology as the yardstick is the method of literary criticism that Marxists introduced in India. By doing this, they feel they have destroyed traditional measures and conceptions of literary criticism such as Rasa (Feeling or Emotion), Dhwani (Suggestion), and Auchitya (Appropriateness).
Santeshivara Lingannaiah Bhyrappa (20 August 1931 – 24 September 2025) was an Indian novelist, philosopher and screenwriter who wrote in Kannada. His work is popular in the state of Karnataka and he is widely regarded as one of modern India's popular novelists. His novels are unique in terms of theme, structure, and characterization. He has been among the top-selling authors in the Kannada language and his books have been translated into Hindi and Marathi which have also been sellers.
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The purpose of my essay is not to support Shankaramurthy. Neither is it to condemn historical Muslim personalities. All Muslims in India are our brothers. Our nationalism must grow stronger on the edifice of precisely this brotherhood. However, we cannot strengthen nationalism on the foundation of a false history. Almost a century has passed since we have fearlessly written about and discussed the drawbacks of Hindu society, and initiated reforms accordingly. A society becomes stronger by such candid and honest criticism and analysis. Writing the truth about the history of Muslim rule in India doesn’t mean we are insulting Muslims. All of us need to learn lessons from history. If we are afraid to write the facts of history because it might offend people, if we bury the truth thus and build a false narrative of history, we cannot construct a strong building on such a false foundation.
Girish Karnad has taken the title of his play, “ The dreams of Tipu Sultan” from a collection of leaflets written by Tipu in his own handwriting in Farsi. Major Beatson, a Britisher who edited the English edition of this collection gave it the name “The dreams of Tipu Sultan.” I have read this work. Tipu used to be anxious about the fact that he had to have absolute privacy when he was writing this, and later, while reading it. This collection was found in the royal latrine in the Srirangapattanam palace. Tipu’s most loyal servant, Habibulla identified and confirmed that these were indeed written by his master. Today, both the original and the translation are at the India Office in London. When one reads it, the true extent of Tipu’s religious fanaticism becomes clearer. He always refers to Hindus as Kaffirs and the British as Christians. A long-bearded Maulvi frequently appears in his dreams; Tipu goes to Mecca on a pilgrimage; Prophet Mohammad tells a long-bearded Arab, “Tell Tipu that I shall not enter Heaven without Tipu;” Tipu is then on a mission to convert all non-Muslims to Islam and Islamizes all non-Islamic nations. Tipu never talks about modernizing India and is furious that the Christians (British) are the biggest obstacles in his path; he desires to drive them out.