Sultan Muhammad Bin Tughlaq’s exploits in slave-taking was infamous even in faraway lands. Shihabuddin Ahamad Abbas notes the Sultan’s enthusiasm in this regard as follows: “the Sultan’s ardour in waging war against Kashmir was unabated. The number of prisoners that he took was so staggering that everyday, thousands of slaves were sold at abysmal prices (Masalik-ulabisar fi Mumalik-ul-amsar. Translated in E.D. 111 Pg 580, S.A.A Rizvi, India in Tughlaq’s Time). And it was not just in war. Tughlaq had a fancy for buying and collecting a huge number of foreign and Indian slaves. In every war or an expedition to put down rebels, the number of Kafir female-slaves that the Sultan rounded up was so huge that, as Ibn Battuta writes, “on occasion, a large number of female prisoners were rounded up in Delhi. The Nazir sent me ten of them. Of them, I returned one to the person who brought them to me. But he was not satisfied. My companion took three small girls. I don’t know what happened to the rest of them (Ibn Batutta, ibid).
Indian novelist.philosopher and screenwriter
Santeshivara Lingannaiah Bhyrappa (20 August 1931 – 24 September 2025) was an Indian novelist, philosopher and screenwriter who wrote in Kannada. His work is popular in the state of Karnataka and he is widely regarded as one of modern India's popular novelists. His novels are unique in terms of theme, structure, and characterization. He has been among the top-selling authors in the Kannada language and his books have been translated into Hindi and Marathi which have also been sellers.
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Tipu actually wrote to the Afghan king Jaman Shah and the Caliph of Turkey to invade India and establish the rule of Islam. In his infamous sack of the Mysore palace in 1796, he rounded up the entire palace library containing invaluable ancient Hindu palm-leaf manuscripts, inscriptions, papers, and books, and ordered them to be burnt as fuel to boil gram, which was then used to feed horses.
When the Leftists began to occupy the Government’s Education department, the History department, and the departments of history, sociology and literature, the media adopted a studied ignorance. When Murli Manohar Joshi, the NDA’s HRD Minister began to introduce changes that emphasized Indianness in our education, these Leftists raised a shrill cry. His changes included things like teaching the contribution of ancient India to science, and beginning classes with the Saraswati Vandana. The media projected this as a major calamity. Congress party workers and social-equality champions took out rallies and raised slogans predicting doomsday for India. Now, when the UPA Government’s Arjun Singh has embarked on a project of severely re-Marxifying education, none of these worthies have raised a word of protest. The media, especially the English media, has been highly supportive of this. The Congress party, whose only aim is to remain in power, has completely lost even the semblance of intellectualism. It remains in blissful slumber content and secure in the knowledge that it can borrow intellectualism from the Left if and when required. However, it has followed the policy of economic liberalization because of its realization that its past experiment with socialism brought India to the brink of bankruptcy. However, the Communists who have accepted this have been unable to break away from Marxism from which they derive their very identity.
What is the purpose of teaching history? History is seeking the truth about our past events and learning about ancient human lives by studying the inscriptions, records, literary works, relics, artefacts and so on. Historical truths help us understand and learn the noble qualities that our ancestors adopted during their times.. I strongly reiterate: teaching history that is not based on truth is dangerous. ... The method adopted by the communists, who were unable to come out of the clutches of Marxism, the very basis of their identity, was to systematically appoint people in the universities who were loyal to their theories. They were expected to present their theories through newspapers, television and other media, get appreciative critiques for the books written by their ‘favourite’ authors, devise plans to dispel the writers from the opposite group.
The Aryan Invasion Theory was disproved eventually by several researches, which showed plenty of evidence against the occurrence of such an invasion. However, nobody had written a comprehensive work on Indian history from the Indian perspective. In this backdrop, the freedom fighter, Gandhian, distinguished lawyer, member of the Constituent Assembly, eminent scholar, and founder of the Bharatiya Vidya Bhavan, Kanhaiyalal Munshi conceived of a project to write a comprehensive history of India. He invited the towering History scholar and researcher, R.C. Majumdar to become the editor. The two entered into an agreement. It was Munshi’s responsibility to provide equipment and money that Majumdar asked for. Additionally, Munshi would have no say in the selection of scholars (who would be invited to write on specific areas of history) and other editorial tasks. Munshi honoured this agreement. Thus came to be written the History and Culture of the Indian People in 11 volumes written by scholars who were specialists in various themes and sub-themes of history. No other work in comparable scope or depth or fidelity to truth has been attempted either singly or jointly in the last fifty years. I had read all the volumes. If one reads a specific section or period as it is classified in these volumes, it provides the complete and up-to-date research done on it including references to primary sources. All that remains is adding contemporary research—if any—and republishing a new edition. My personal collection contains all these 11 volumes.
Tipu also changed the original names of entire cities and towns: Brahmapuri became Sultanpet, Kallikote became Farookabad, Chitradurga became Farook yab Hissar, Coorg became Zafarabad, Devanahalli became Yusufabad, Dindigal became Khaleelabad, Gutti became Faiz Hissar, Krishnagiri became Phalk-il-azam, Mysore became Nazarabad (today’s Nazarbad is the name of a locality in Mysore city), Penukonda became Fakrabad, Sankridurga became Muzaffarabad, Sira became Rustumabad, and Sakleshpur became Manjarabad. Does all this reflect Tipu’s nationalism, his religious tolerance, and his love for the Kannada language?
The Muslims in the Malabar speak, read and write Malayalam even today. The same applies to Muslims in Tamil Nadu. However, Muslims in Karnataka speak only Urdu and have remained distant from mainstream Kannada. This is the direct result of Tipu’s imposition of Farsi and Urdu as the only permitted mediums of instruction.
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Towards the end of his life, Gandhiji’s ideas and influence had waned within the Congress party. Nehru was never a follower of Gandhiji’s ideas. Although Nehru had great admiration for the British system of democracy, his heart really lay with Russia’s Communism. After he became Prime Minister, he slowly sidelined most leaders within the Congress. Patel’s death became a boon to Nehru. As President, Rajendra Prasad was reduced to the status of a respectable token. Although leaders like Rajagopalachari and Kriplani quit the Congress party and formed their own outfits, their influence was insignificant. Nehru, who was influenced by a hardcore Marxist like Krishna Menon wasn’t naïve. Although he earned some goodwill in the international community as the leader of the Non-aligned Movement, he had to face opposition from America because the NAM was essentially sympathetic to Communist Russia. The result was India’s loss. However, India’s loss wasn’t Nehru’s loss. Nehru’s worshipful love for the Communist ideology had reached such proportions that his Government and the Indian media routinely chanted the HindiChini bhai bhai (India-China brothers) slogan until India was kicked out of its own territory by China. By then Marxists had occupied the intellectual space in India. For his political survival, Nehru practiced the policy of pitting Hindus against themselves and simultaneously, of appeasing Muslims. This was the tactic the British had instituted for maintaining their colonial hold over India, which Nehru continued. The word “casteism” became a term of abuse reserved only to be used against Hindus. Further, he also spread the perception that secularism was something that only Hindus needed to practice towards Muslims and Christians because being minorities, they were incapable of casteism.
Tipu, who embarked on a long campaign of the Malabar and Coorg and left a brutal trail of forcible conversion of Hindus in its wake, refrained from trying a similar stunt in the Mysore region. He needed the support of Hindus after his financial humiliation in the Third Mysore War of 1791, which was when he had to submit his two sons to the British apart from surrendering a large portion of his empire. Therefore, in a move to placate Hindus, he gave a large donation to the Sringeri Shankaracharya Mutt. Our secularprogressives project this incident as an instance of Tipu’s nonsectarianism and religious tolerance.
During the Indian freedom struggle, wandering bards, minstrels, and those who sang lavanis used to sing rustic songs that glorified Tipu at street corners, in marketplaces, and fairs. These semi-literate and illiterate people had no knowledge of history. They were patronized by Muslims, especially Muslim merchants and businessmen who gave them bakshish. In the same vein, some playwrights wrote plays glorifying Tipu as a great patriot based on the sole fact that he had fought against the British. Thus informed, the audience and general public began to believe that this was the true picture of the historical Tipu Sultan. Post-independence, our Marxists, vote bank politicians, and religiously-driven Muslim writers, artists, playwrights, and filmmakers portrayed Tipu as a patriot and a national hero. Real history died. The British were depicted as heartless villains for taking two sons of Tipu as hostages. Girish Karnad, who adheres to this tradition of painting Tipu as a national hero takes up this hostage episode in his play and makes Tipu mouth this highly revelatory dialogue of sociology: “A new language has come to our land. A new culture. Angreji! A culture that takes children aged seven—eight as war hostages.”
When Tipu looted the Mysore Palace in 1796, he ordered to burn all the valuable and rare books and manuscripts, palm leaves that contained priceless handwritten notes to cook horse gram for his horses, and other files kept in the palace library. There are plenty of references in, for instance, the Malabar Manual by William Logan about the cruel military operations and Islamic atrocities of Tipu Sultan in Malabar—forcible mass circumcision and conversion, large-scale killings, looting and destruction of hundreds of Hindu temples, and other barbarities like gang-raping helpless women. There are hundreds of such incidents mentioned in various documents. It is impossible to reinforce nationalism based on the false picturization of History.
The currently sensational news in Karnataka politics happens to be centered on Education Minister Shankaramurthy who said that Tipu Sultan was an opponent of Kannada because he replaced Kannada, the administrative language of Mysore State, with Farsi. This statement has met with expected reactions from expected quarters. These quarters have also raised a din calling for the Chief Minister to sack Shankaramurthy failing which they would begin a severe agitation. The Education Minister has further clarified that he’s willing to engage in a public debate on the issue. Meanwhile, the actor, director and playwright Girish Karnad together with his associates, K.Marulasiddappa, and former Primary Education Minister, Professor B.K. Chandrashekhar called for a press conference where he has agreed for such a public debate with Shankaramurthy. This has my wholehearted support. But then, they have already passed a judgement that Shankaramurthy’s statement is dangerous and damaging to the nation.
I have always been interested in sociology, psychology, history and allied subjects in the humanities. I have done some reading in these. Philosophy is the subject of my profession. Aesthetics was the topic of my doctoral research. However, my proclivity made me turn to writing literature, writing novels specifically. As long as I can remember, my mind has dwelled on the nature of the relationship between truth and beauty, and literature and truth. What is the nature and extent of the freedom that a writer has in recreating an actual historical character, information about whose life and times is based on literary, archeological and other evidences? This question has bothered me at every step. The preface to The Real Tipu written by S.D. Sharma has further intensified my thoughts: “Tipu Sultan has recently leapt from the pages of history to the television screen. This has naturally aroused curiosity about him and his times. It has also caused great controversy. This is because several—especially, people from Kerala—hold the view that the real Tipu was not the same person that is being depicted in the Doordarshan serial. The serial, based on Bhagawan S. Gidwani novel, The Sword of Tipu Sultan is a book filled with falsehoods. It is a narrative that wrongly portrays factual historical events. Doordarshan’s serial has given us a gift that is far from the truth. This controversy made me study Tipu Sultan in detail. When I learnt the truth about him, I was aghast.”