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" "The Aryan Invasion Theory was disproved eventually by several researches, which showed plenty of evidence against the occurrence of such an invasion. However, nobody had written a comprehensive work on Indian history from the Indian perspective. In this backdrop, the freedom fighter, Gandhian, distinguished lawyer, member of the Constituent Assembly, eminent scholar, and founder of the Bharatiya Vidya Bhavan, Kanhaiyalal Munshi conceived of a project to write a comprehensive history of India. He invited the towering History scholar and researcher, R.C. Majumdar to become the editor. The two entered into an agreement. It was Munshi’s responsibility to provide equipment and money that Majumdar asked for. Additionally, Munshi would have no say in the selection of scholars (who would be invited to write on specific areas of history) and other editorial tasks. Munshi honoured this agreement. Thus came to be written the History and Culture of the Indian People in 11 volumes written by scholars who were specialists in various themes and sub-themes of history. No other work in comparable scope or depth or fidelity to truth has been attempted either singly or jointly in the last fifty years. I had read all the volumes. If one reads a specific section or period as it is classified in these volumes, it provides the complete and up-to-date research done on it including references to primary sources. All that remains is adding contemporary research—if any—and republishing a new edition. My personal collection contains all these 11 volumes.
Santeshivara Lingannaiah Bhyrappa (20 August 1931 – 24 September 2025) was an Indian novelist, philosopher and screenwriter who wrote in Kannada. His work is popular in the state of Karnataka and he is widely regarded as one of modern India's popular novelists. His novels are unique in terms of theme, structure, and characterization. He has been among the top-selling authors in the Kannada language and his books have been translated into Hindi and Marathi which have also been sellers.
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Girish Karnad has taken the title of his play, “ The dreams of Tipu Sultan” from a collection of leaflets written by Tipu in his own handwriting in Farsi. Major Beatson, a Britisher who edited the English edition of this collection gave it the name “The dreams of Tipu Sultan.” I have read this work. Tipu used to be anxious about the fact that he had to have absolute privacy when he was writing this, and later, while reading it. This collection was found in the royal latrine in the Srirangapattanam palace. Tipu’s most loyal servant, Habibulla identified and confirmed that these were indeed written by his master. Today, both the original and the translation are at the India Office in London. When one reads it, the true extent of Tipu’s religious fanaticism becomes clearer. He always refers to Hindus as Kaffirs and the British as Christians. A long-bearded Maulvi frequently appears in his dreams; Tipu goes to Mecca on a pilgrimage; Prophet Mohammad tells a long-bearded Arab, “Tell Tipu that I shall not enter Heaven without Tipu;” Tipu is then on a mission to convert all non-Muslims to Islam and Islamizes all non-Islamic nations. Tipu never talks about modernizing India and is furious that the Christians (British) are the biggest obstacles in his path; he desires to drive them out.
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When Tipu looted the Mysore Palace in 1796, he ordered to burn all the valuable and rare books and manuscripts, palm leaves that contained priceless handwritten notes to cook horse gram for his horses, and other files kept in the palace library. There are plenty of references in, for instance, the Malabar Manual by William Logan about the cruel military operations and Islamic atrocities of Tipu Sultan in Malabar—forcible mass circumcision and conversion, large-scale killings, looting and destruction of hundreds of Hindu temples, and other barbarities like gang-raping helpless women. There are hundreds of such incidents mentioned in various documents. It is impossible to reinforce nationalism based on the false picturization of History.