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China's greatest work of literature, the 18th-century novel Dream of the Red Chamber, ... is still virtually unknown in the English-speaking world. I… - John Minford
" "China's greatest work of literature, the 18th-century novel Dream of the Red Chamber, ... is still virtually unknown in the English-speaking world. In its native land, The Story of the Stone, as the book is also known – Stone for short – enjoys a unique status, comparable to the plays of Shakespeare. Apart from its literary merits, Chinese readers recommend it as the best starting point for any understanding of Chinese psychology, culture and society.
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About John Minford
John Minford (born 1946) is a British sinologist and literary translator. He is primarily known for his translation of Chinese classics such as The Story of the Stone, The Art of War and I Ching.
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Additional quotes by John Minford
As translators, we must be courageous, free and passionate about what we are doing. We must constantly strive to enrich our own cultural and linguistic repertoire. We must read, we must write. We must be prepared to rethink, to revise, to rewrite, constantly. We must have endless time and patience. Deadlines are there to be ignored, to be kept alive. Above all we must play with words, ideas and feelings. Delight in them. We must never lose sight of the playfulness and creative licence that are the lifeblood of art and literature, and hence of translation.
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There, up on deck, standing in the very entrance to his cabin and silhouetted dimly against the snow, was the figure of a man with shaven head and bare feet, wrapped in a large cape made of crimson felt. The figure knelt down and bowed to Jia Zheng, who did not recognize the features and hurried out on deck, intending to raise him up and ask him his name. The man bowed four times, and now stood upright, pressing his palms together in monkish greeting. Jia Zheng was about to reciprocate with a respectful bow of the head when he looked into the man's eyes and with a sudden shock recognized him as Bao-yu.
'Are you not my son?' he asked.
The man was silent and an expression that seemed to contain both joy and sorrow played on his face. Jia Zheng asked again:
'If you are Bao-yu, why are you dressed like this? And what brings you to this place?'
Before Bao-yu could reply two other men appeared on the deck, a Buddhist monk and a Taoist, and holding him between them they said:
'Come, your earthly karma is complete. Tarry no longer.'
The three of them mounted the bank and strode off into the snow. Jia Zheng went chasing after them along the slippery track, but although he could spy them ahead of him, somehow they always remained just out of reach.
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